and Terry Gilliam's Hollywood 'remake' Twelve Monkeys (1995).
But as Marker rarely gave interviews, little is really known about the origins of La JetÃ©e or the ideas behind it. In this groundbreaking study, Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to examine the making of the film. He explores how Marker's only fiction film was influenced both by his early work as a writer and by Alfred Hitchcock's Vertigo (1958), and considers how La JetÃ©e's images can be seen to 'echo' throughout Marker's extraordinarily diverse oeuvre.
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