Amazon.com description: Product Description: This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1894 Excerpt: ...few simple sprays. You will also observe how much the white or pale blue screen behind the flowers enhances the effect by lamp or lantern light. For the screen has been arranged with the special purpose of showing the exqtiisiteness of plant shadows; and the sharp silhouettes of sprays and blossoms cast thereon are beautiful beyond the imagining of any Western decorative artist. XXI. It is still the season of mists in this land whose most ancient name signifies the Place of the Issuing of Clouds. With the passing of twilight a faint ghostly brume rises over lake and landscape, spectrally veiling surfaces, slowly obliterating distances. As I lean over the parapet of the Tenjin-bashi, on my homeward way, to take one last look eastward, I find that the mountains have already been effaced. Before me there is only a shadowy flood far vanishing into vagueness without a horizon--the phantom of a sea. And I become suddenly aware that little white things are fluttering slowly down into it from the fingers of a woman standing upon the bridge beside me, and murmuring something in a low sweet voice. She is praying for her dead child. Each of those little papers she is dropping into the current bears a tiny picture of Jizo, and perhaps a little inscription. For when a child dies the mother buys a small woodcut (hanlco) of Jizo, and with it prints the image of the divinity upon one hundred little papers. And she sometimes also writes upon the papers words signifying "For the sake of...,"--inscribing never the living, but the kaimyo or soul-name only, which the Buddhist priest has given to the dead, and which is written also upon the little commemorative tablet kept within the Buddhist household shrine, or butsuma. Then, upon a fixed day (most commonly the forty...