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Tables of Contents for In Arden
Chapter/Section Title
Page #
Page Count
List of contributors
vii
Introduction
xi
PART I: BIBLIOGRAPHY/THEORY OF EDITING
1 Shakespeares various
A.R. Braunmuller
3
14
2 The continuing importance of New Bibliography
Giorgio Melchiori
17
14
3 Correct impressions: editing and evidence in the wake of post-modernism
Anthony B. Dawson
31
17
4 Early play texts: forms and formes
H.R. Woudhuysen
48
17
PART II: EDITING AND FEMINISM
5 'To foster is not always to preserve': feminist inflections in editing Pericles
Suzanne Gossett
65
16
6 Editing Desdemona
Lois Potter
81
14
7 Who is performing 'in' these text(s)?; or, Shrew-ing around
Barbara Hodgdon
95
16
PART III: EDITING AND STAGE PRACTICE
8 To edit? To direct? - Ay, there's the rub
George Walton Williams
111
14
9 Raw flesh/lion's flesh: a cautionary note on stage directions
R.A. Foakes
125
13
10 Reading in the moment: theatre practice as a guide to textual editing
Lynette Hunter and Peter Lichtenfels
138
19
11 Annotating silence
John Russell Brown
157
20
PART IV: ANNOTATION AND COLLATION
12 The social function of annotation
G.K. Hunter
177
17
13 The character of a footnote ... or, annotation revisited
Helen Wilcox
194
15
14 To be or not to be
E.A.J. Honigmann
209
2
15 Richly noted: a case for collation inflation
Eric Rasmussen
211
10
PART V: THE PLAYWRIGHT AND OTHERS
16 Sources and cruces
John J.M. Tobin
221
18
17 Topical forest: Kemp and Mar-text in Arden
Juliet Dusinherre
239
13
18 Some call him Autolycus
John Pitcher
252
17
Appendix
269
8
Index
277