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Tables of Contents for Creating Digital Performance Resources
Chapter/Section Title
Page #
Page Count
List of Contributors
v
Acknowledgements
vii
Introduction - Dramatic Forays into IT: working computers with a broom handle
1
8
Barry Smith
IT and Live Performance
1
2
Using IT
3
2
IT and the Performing Arts
5
4
Digital Resources in Performance Studies
9
56
Running a web site - How to design, build and maintain a database-powered web site
9
1
Barry Russell
Doing it ourselves
9
3
Planning for growth
12
1
Software
13
2
The bare bones
15
1
Looking for success
16
1
Creating a multipurpose research tool for the study of King Lear
17
1
Christie Carson
Planning and Design
17
6
Research
23
3
Production
26
3
Post Production
29
1
Conclusions
30
3
Approaches to building digital archives
33
1
Barry Smith
Origins
33
3
Getting help
36
1
The Live Art Archive
37
2
Searching
39
1
Maintenance
39
2
Conclusions
41
2
Scholarly Skywriting: Sound Journal and Other Projects
43
1
Alan Beck
Setting up Sound Journal
43
5
Sound Journal - Feedback
48
1
Sound Journal into the Future
49
2
Digital Dialogues
51
1
David Hughes
What is Digital Dialogues?
51
7
The Collaborative Learning Environment
58
1
Online seminars
58
2
Student Engagement and Motivation
60
1
Key and Transferable Skills
61
1
Evaluation
61
1
Preliminary Conclusions
62
3
Digital Resources in Performance Practice
65
21
IT and the Audio-Visual Essay
65
1
Steve Dixon
Making it Easier
65
1
Deciding on a Dissemination Format
66
1
Utilising Video in digital Form
67
1
Producing Chamleons 2 CD-ROM
68
2
Constructing AV-Essays
70
1
Case Study of a Section: The Double
71
5
A New Critical Palette
76
1
Shifting Grounds: Internet-based live performance work
77
1
Sophia Lycouris
Introduction
77
2
What is the work?
79
3
What the work does
82
2
How technology affects experience
84
1
Conclusion
85
1
Glossary and Bibliography
86
1
Glossary
86
31
Mark Batty
Bibliography and further reading
117