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Tables of Contents for All's Well, That Ends Well
Chapter/Section Title
Page #
Page Count
General Introduction
Definitions of and Guide To Photographic Copies of The Early Texts
v
Welcome to These Scripts
vii
Making Full Use of These Texts
x
What Modern Changes Will Be Shown
x
Words and Phrases
x
Line structure changes related to problems of casting-Off
x
Line structure changes not related to problems of casting-Off
xi
The special problems affecting what are known as `shared' or `split' verse lines
xii
The unusual single split line
xv
Sentence and Punctuation Structures
xvi
Dropping a line to illustrate F1's sentence structure
xvii
The highlighting of the major: punctuation in these texts
xviii
Practical On-Page Help For The Reader
xxii
The Visual Symbols Highlighting Modern Alterations
xxii
The Visual Symbols Highlighting Key Items Within The First Folio
xxv
Act, Scene, And Line Numbering Specific To This Text
xxvi
Common Typesetting Peculiarities of The Folio and Quarto Texts
xxix
Footnote Code
xxxiii
Alphabetical Footnote Coding
xxxiii
Footnote Coding By Topic
xxxiv
One Modern Change Frequently Noted In These Texts
xxxv
A Brief Word About The Compositors
xxxvii
The Play
Introduction To All's Well, That Ends Well
xxxix
Dramatis Personae
lv
The Text
1
106
Appendices The Uneasy Relationship of Folio, Quarto, And Modern Texts
107