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Tables of Contents for Shakespearean Illuminations
Chapter/Section Title
Page #
Page Count
Preface
7
6
Part I: The Major Tragedies
13
170
Mapping the Role: Criticism and the Construction of Shakespearean Character
13
20
ELLEN J. O'BRIEN
Gertred, Captive Queen of the First Quarto
33
17
G.B. SHAND
Reading Hamlet in Performance: The Laertes/Hamlet Connection
50
20
JUNE SCHLUETER
JAMES P. LUSARDI
Whose Work Is This? Loading the Bed in Othello
70
23
PHILIP C. MCGUIRE
King Lear versus Hamlet in Eastern Europe
93
9
ZDENEK STRIBRNY
Staging King Lear 1.1 and 5.3
102
8
JAY L. HALIO
A Letter to the Actor Playing Lear
110
21
HUGH RICHMOND
Gleanings: The Residue of Difference in Scripts: The Case of Polanski's Macbeth
131
16
BERNICE W. KLIMAN
Macbeth at the Turn of the Millennium
147
17
BARBARA HODGDON
Who "Has No Children" in Macbeth?
164
19
TOM CLAYTON
Part II. Language, Politics, and History
183
72
Site-Reading Shakespeare's Dramatic Scores
183
20
JOHN F. ANDREWS
History-Making in the Henriad
203
17
MICHAEL GOLDMAN
The Historical Subject as Roman Actor and Agent of History: Interrogative Dramatic Structure in Julius Caesar
220
22
GUNTER WALCH
Marlowe and Shakespeare's African Queens
242
13
MAURICE CHARNEY
Part III: Actors and Acting, Directing and Staging
255
106
On the Aesthetics of Acting
255
12
STEPHEN BOOTH
Killing Mercutio: Or, Is There Such a Thing as an Actor-Playwright?
267
12
LOIS POTTER
"What Do I Do Now?" Directing A Midsummer Night's Dream
279
18
SIDNEY HOMANN
Statues: Mary Anderson, Shakespeare, and Statuesque Acting
297
12
CARY M. MAZER
"My Learned and Well-Beloved Servant Cranmer": Guthrie's Henry VIII
309
8
RALPH BERRY
Techniques of Restoration: The Case of The Duchess of Malfi
317
19
JOHN RUSSELL BROWN
Women Play Women in the Liturgical Drama of the Middle Ages
336
25
DUNBAR H. OGDEN
List of Contributors
361
4
Index
365