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Tables of Contents for All the Fun's in How You Say a Thing
Chapter/Section Title
Page #
Page Count
Acknowledgments
xi
 
Introduction
1
26
Part One: Iambic Verse
Metrical Norm and Rhythmical Modulation
27
25
Scansion and Metrical Variation
52
42
Principles of Scansion
52
2
The Principal Iambic Meters
54
7
The Three Common Metrical Variations in Iambic Verse: The Trochaic Substitution in the First Foot, the Mid-line Trochaic Substitution, and the Feminine Ending
61
13
Less Common Trochaic Substitutions and Trochees That Maybe Are Not Trochees
74
5
Loose Iambic---Iambic Verse with Anapestic Substitutions
79
5
Other Variants: Divided Lines, Clipped Lines, Broken-Backed Lines, and Feminine Caesuras
84
10
Additional Sources of Rhythmical Modulation, Including Enjambment, Caesural Pause, and Word Length
94
22
The Story of Elision, Including the Famous Rise, Troublesome Reign, and Tragical Fall of the Metrical Apostrophe
116
35
The Practice and Conventions of Elision
116
18
Elision and Changing Views about Syllable Count
134
10
How Real Is Elision? And What Are We, Finally, to Think of It?
144
7
Boundless Wealth from a Finite Store: Meter and Grammar
151
24
Part Two: Other Matters, Other Meters
Rhyme
175
25
The Background and History of Rhyme
175
10
The Two Common Types of Rhyme in English---Full and Partial---and some of Their Varieties
185
8
The Use of Rhyme
193
7
Stanzas
200
21
Trochaic and Trisyllabic Meters
221
25
Alternative Modes of Versification in English
246
35
Accentual Verse
246
10
Syllabic Verse
256
4
Free Verse
260
5
Imitation-Classical Verse
265
16
Notes
281
26
Glossary
307
32
Bibliography
339
10
Permissions and Copyrights
349
2
Index
351