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Tables of Contents for Upper Limit Music
Chapter/Section Title
Page #
Page Count
Acknowledgments
vii
4
A Note on Texts
xi
Introduction
1
22
I. Cultural Poetics, Political Culture: Zukofsky in the 1930s
23
106
1. Between Contact and Exile: Louis Zukofsky's Poetry of Survival
23
21
STEVE SHOEMAKER
2. The Revolutionary Word: Louis Zukofsky, New Masses, and Political Radicalism in the 1930s
44
21
MARK SCROGGINS
3. Jewish-American Modernism and the Problem of Identity: With Special Reference to Work of Louis Zukofsky
65
15
NORMAN FINKELSTEIN
4. Zukofsky, Marxism, and American Handicraft
80
14
BARRY AHEARN
5. Poetry and the Age: Pound, Zukofsky, and the Labor Theory of Value
94
18
ALEC MARSH
6. "A Precision of Appeal": Louis Zukofsky and the Index of American Design
112
17
IRA B. NADEL
II. Toward the Postmodern: Zukofsky's Life of Writing
129
148
7. A "no man's land!": Postmodern Citationality in Zukofsky's "Poem beginning `The'"
129
25
MING-QIAN MA
8. Writing and Authority in Zukofsky's Thanks to The Dictionary
154
21
PETER QUARTERMAIN
9. The Comedian as the Letter Z: Reading Zukofsky Reading Stevens Reading Zukofsky
175
17
P. MICHAEL CAMPBELL
10. "Words Ranging Forms": Patterns of Exchange in Zukofsky's Early Lyrics
192
22
SUSAN VANDERBORG
11. From Modernism to Postmodernism: Zukofsky's "A"-12
214
16
BURTON HATLEN
12. A More Capacious Shoulder: "A"-24, Nonsense, and the Burden of Meaning
230
27
MARNIE PARSONS
13. A Fractal Music: Some Notes on Zukofsky's Flowers
257
20
KENT JOHNSON
Contributors
277
4
Index
281