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Tables of Contents for The Matrix of Visual Culture
Chapter/Section Title
Page #
Page Count
Acknowledgments
viii
 
Introduction
1
13
1. The Universe as Metacinema
14
31
Hitchcockš Universe: Zizek and Deleuze
16
6
Metacinema and the Cinematographic Apparatus
22
11
Camera Consciousness and Temporal Confusion
33
12
2. Material Aspects of Subjectivity
45
32
Psychoanalysis and the Monstrous Flesh
47
8
Affects and Politics of the Spinozian Body
55
6
Plane of Immanence: Subjectivity and Images of the Flesh
61
16
3. Cinemas Politics of Violence
77
29
Violence and Cinema of the Body
79
11
Missing People and Fabulation
90
5
Schizophrenia in Contemporary Hollywood
95
11
4. Conceptual Personae and Aesthetic Figures of Becoming-Woman
106
35
The Philosopher Meets Alice in Wonderland
108
4
Becoming Woman in Feminism: Alice Doesn't?
112
8
Alice in Cinematic Wonderland
120
21
5. Logic of Sensations in Becoming-Animal
141
34
Stories, Sensations, and Affection Images
142
9
Becoming-Child Before Becoming-Animal
151
7
Passive and Active Affects
158
17
6. (De)Territorializing Forces of the Sound Machine
175
41
Acoustic Mirrors and Fantasmatic Structures
177
8
Rhythm, the Refrain, and (De) Territorialization
185
9
The Female Voice: Back on the Throne?
194
13
Cosmic Forces: Becoming in Music
207
9
Conclusion
216
11
Appendix A-Deleuzeš "Toolbox" of Cinema 1 and Cinema 2
227
2
Appendix B-Glossary to Cinema 1 and Cinema 2
229
4
Filmography
233
10
Notes
243
42
Bibliography
285
12
Index
297