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Tables of Contents for Gather into One
Chapter/Section Title
Page #
Page Count
Series Preface
x
List of Musical Examples and Figures
xii
Preface
xiv
From Center to Spectrum: Praying and Singing Globally
1
31
Center versus Periphery Dichotomy
2
2
Singing and Praying for the Sake of the World
4
3
A Starting Place: Distinguishing between Bias and Prejudice
7
2
Liturgical Plurality: Diversity of Songs --- Unity of Spirit
9
8
Purpose, Delimitations, and Methodology
17
4
The Road to Meaning in Music: Related Literature
21
5
Music and Semiology: Asking New Questions
26
4
A Liturgical Trilemma
30
2
The Fiesta of the Faithful: Pablo Sosa and the Contextualization of Latin American Hymnody
32
40
Growing up in Argentina
34
1
Argentine Ethnic Demographics
35
2
Argentine Politics
37
3
A Heritage of Popular Argentine Poetry
40
1
Pablo Sosa: Pastoral Musician
40
10
Pablo Sosa: Poet
50
9
Pablo Sosa: The Contextual Theologian
59
2
Pablo Sosa: Hymnal Editor and Recording Producer
61
6
Pablo Sosa: The Ecumenical Liturgist
67
2
De-contextualizing Pablo Sosa
69
1
Recontextualizing the Work of Pablo Sosa for the United States
70
2
Sounds of Bamboo: I-to Loh and the Development of Asian Hymns
72
32
A Brief Biography
74
5
Life as a Teacher, Hymnologist, and Ethnomusicologist
79
1
An Analysis of Sound the Bamboo (1990)
80
4
Asian Hymns in Western Hymnals
84
3
Guidelines for the Publication of Cross-Cultural Music in the West
87
1
The Process of Musical Inculturation and Sound the Bamboo (1990)
88
2
I-to Loh's Contributions to Sound the Bamboo (1990)
90
9
Sound the Bamboo (2000)
99
1
I-to Loh's Work Today
100
2
The Impact of I-to Loh's Work in Asia
102
2
Singing Freedom: David Dargie and South African Liberation Song
104
44
Introduction to Recent South African Politics
104
3
Father Dargie: A Vocational Response to Vatican II in Liturgy and Song
107
2
The Making of a Musical Liberator
109
6
Andrew Tracey and Ethnomusicological Study
115
3
Church Music Composition Workshops
118
2
Church Music from South Africa
120
8
The Hymns of Ntsikana
128
9
What Is Liberation Hymnody?
137
9
Conclusion
146
2
The Spirit of Ngoma: Patrick Matsikenyiri and Indigenous Song in Zimbabwe
148
41
Brief History of Zimbabwe
149
4
Living in Old Mutare and Modern Mutare
153
6
From Local Church Musician to Global Animateur
159
1
Music in African Culture and Worship
160
4
Ngoma: An African Conceptual Framework for Music
164
7
The Songs
171
16
Conclusion
187
2
The Wild Goose Sings: John Bell and the Music of the Iona Community
189
35
The Iona of Saint Columba (521-97 C.E.)
191
5
The Iona of George MacLeod (1895-1991)
196
8
John Bell and Graham Maule and the Formation of the Wild Goose Worship Group
204
4
Themes of Iona Liturgy and Music
208
13
Conclusion
221
3
Form and Ritual: Sequential and Cyclic Musical Structures and Their Use in Liturgy
224
17
Characteristics of Sequential Musical Structures
225
5
Characteristics of Cyclic Musical Structures
230
4
Musical Structures and Ritual
234
7
The Church Musician as Enlivener
241
30
Mapping the Liturgical and Musical Field of the Enlivener: Living in Liminality
243
9
The Office of the Enlivener
252
8
A North American Enlivener: Mary Oyer
260
11
Polyrhythmic Worship
271
8
Bibliography
279
20
Index of Names
299
3
Index of Subjects
302
4
Index of Hymns, Hymn Tunes, and Musical Works
306