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Tables of Contents for Readings on Cry, the Beloved Country
Chapter/Section Title
Page #
Page Count
Foreword
9
2
Introduction
11
2
A Biography
13
17
Alan Paton
Characters and Plot
30
9
Themes in Cry, the Beloved Country
The Disintegration of Tribal Society
39
8
Harold Reeves Collins
Paton, like other African writers of his day, accurately portrays the tribal desolation and the complexity of racial relations even among blacks and whites of good will
Fear Pervades Cry, the Beloved Country
47
7
Tony Morphet
Paton's own fear underlines the story and unifies the novel. The novel's art springs from the author's, the protagonist's, and other characters' pondering, grappling with, and attempting to overcome their country's and their own fear and its destructive effects
Forgiveness and Reconciliation in Cry, the Beloved Country
54
7
Horton Davies
In Cry, the Beloved Country, one of Paton's themes is the conflict between Christian principles and racial prejudices. The priests in the novel show by both words and actions that racial tensions can be eased by compassion and forgiveness
Christian Affirmation and Redemption in Cry, the Beloved Country
61
5
Edmund Fuller
Paton's novel transcends the tragic view of life by means of its Christian affirmation which brings comfort amidst desolation
The Novel's Artistic Achievement
Paton's Generosity of Spirit Makes Cry, the Beloved Country a Great Work
66
4
Orville Prescott
Cry, the Beloved Country is a great book that portrays cruelty tragedy without neglecting the capacity of human beings to love and forgive one another:
Paton Uses Zulu to Convey Positive Values
70
4
J.M. Coetzee
Paton purposely does not attempt to translate Zulu into English literally. In his free translation of Zulu, however, he implies that some of his characters share an old fashioned, pastoral goodness
Geographical and Biblical Symbols in Cry, the Beloved Country
74
8
Sheridan Baker
The geographical metaphors in Cry, the Beloved Country support the symbolic roles of the novel's characters
Paton's Style Is Crucial to the Novel's Success
82
7
Rose Moss
Paton influenced millions of readers through his strong Iiturgical style
Cry, the Beloved Country Overcomes Racial Division
89
4
Sousa Jamba
The quality of Alan Paton's prose in Cry, the Beloved Country transcends issues of race
Politics and Cry, the Beloved Country
Alan Paton's Influence Extended Beyond Literature
93
10
Carol Iannone
Paton's call in Cry, the Beloved Country for racial justice still resonates more than 50 years after the novel's publication
Racial Stereotyping in Cry, the Beloved Country
103
7
Patrick Colm Hogan
Hogan presents Paton as dehumanizing blacks in Cry, the Beloved Country---by treating them as juveniles who need the guidance of culturally superior whites
Teaching Cry, the Beloved Country in the Classroom
110
3
Robert Mossman
Mossman argues that at least who novels must be studied together in order for the portrayal of South Africa to be legitimate, valid, and successful
Cry, the Beloved Country Is Visionary but Honest
113
5
F. Charles Rooney
In this realistic novel, Paton shows he has not only heart, but a vision of the life of the spirit
Cry, the Beloved Country Is Unrealistic
118
13
A.A. Monye
Monye dismisses Cry, the Beloved Country's thesis, ``Love thy neighbor as thyself,'' as an inadequate sermon, and declares, ``It is doubtful how love would work when fear rules the lives of both races in South Africa.''
Cry, the Beloved Country Is Still Relevant After 50 Years
131
14
Andrew Foley
Cry, the Beloved Country is a socially and politically accurate story, neither naive nor paternalistic, that is still relevant 50 years after its publication
Chronology
145
6
For Further Research
151
4
Index
155