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Tables of Contents for Hogarth
Chapter/Section Title
Page #
Page Count
vii
Notes on contributors
x
Preface
xii
Acknowledgements
xvi
Introduction
From text to image: William Hogarth and the emergence of a visual culture in eigthteenth-century England
3
20
Hogarthian frames: the `new' eighteenth-century aesthetics
23
26
HOGARTH'S EMPIRICISM
Matters of fact: virtual witnessing and the public in Hogarth's narratives
49
22
Je-sais-quoi: William Hogarth and the representation of the forms of life
71
14
Hogarth's `living machines of nature' and the theorisation of aesthetics
85
17
Representations of time in Hogarth's paintings and engravings
102
23
OBSERVING MODERN LIFE
William Hogarth's Enraged Musician and the Cries of London
125
21
The view across the city: William Hogarth and the visual culture of eigthteenth-century London
146
17
`This truly natural and faithful painter': Hogarth's depiction of modern life
163
32
HOGARTH AND RELIGIOUS TYPOLOGY
Hogarth's Marriage A-la-Mode: the dialectic between precision and ambiguity
195
24
The excessive Jew in A Harlot's Progress
219
17
Some thoughts on Hogarth's Jew: issues in current Hogarth scholarship
236
28
References and further reading
264
17
Index
281