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Tables of Contents for The Science and Art of Renaissance Music
Chapter/Section Title
Page #
Page Count
PREFACE
ix
4
EDITOR'S PREFACE
xiii
2
BIBLIOGRAPHICAL ABBREVIATIONS
xv
MUSIC IN SIXTEENTH-CENTURY SOCIETY
3
76
CHAPTER ONE A Sixteenth-Century Attempt at Music Criticism
3
17
CHAPTER TWO The Courtier as Musician: Castiglione's View of the Science and Art of Music
20
18
CHAPTER THREE Cosimo Bartoli on Music
38
41
ASPECTS OF RENAISSANCE MUSIC THEORY
79
122
CHAPTER FOUR The Frontispiece of Gafori's Practica Musicae (1496)
79
14
CHAPTER FIVE False Relations and Chromaticism in Sixteenth-Century Music
93
28
CHAPTER SIX Zarlino's Definition of Fugue and Imitation
121
28
CHAPTER SEVEN Lessons in Theory from a Sixteenth-Century Composer
149
27
CHAPTER EIGHT Josquin as Interpreted by a Mid-Sixteenth-Century German Musician
176
25
ON THE ITALIAN MADRIGAL
201
70
CHAPTER NINE The Note Nere Madrigal
201
21
CHAPTER TEN The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal
222
17
CHAPTER ELEVEN Giovanthomaso Cimello as Madrigalist
239
32
ANTONFRANCESCO DONI: WRITER, ACADEMICIAN, AND MUSICIAN
271
82
CHAPTER TWELVE Notes on the Dialogo della Musica of Antonfrancesco Doni
271
29
CHAPTER THIRTEEN A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magl. XIX, 130
300
23
CHAPTER FOURTEEN The Libraria of Antonfrancesco Doni
323
30
RENAISSANCE MUSIC IN NINETEENTH-CENTURY EYES
353
30
CHAPTER FIFTEEN Berlioz and the "First Opera"
353
13
CHAPTER SIXTEEN Music of the Renaissance as Viewed by the Romantics
366
17
INDEX OF NAMES
383