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Tables of Contents for Breaking in to the Movies
Chapter/Section Title
Page #
Page Count
Acknowledgments
ix
Breaking in to the Movies: An Introduction
1
16
I RECLAIMING THE POLITICAL IN POPULAR CULTURE
17
28
Norma Rae: Character, Class, and Culture
19
10
Hollywood Film and the Challenge of Neofascist Culture
29
5
Lina Wertmuller: Film and the Dialectic of Liberation
34
6
Looking for Mr. Goodbar: Gender and the Politics of Pleasure
40
5
II HOLLYWOOD FILM AND THE WAR ON YOUTH
45
148
Slacking Off: Border Youth and Postmodern Education
47
28
Culture, Class, and Pedagogy in Dead Poets Society
75
25
Children's Culture and Disney's Animated Films
100
36
The Politics of Pedagogy, Gender, and Whiteness in Dangerous Minds
136
34
Media Panics and the War Against ``Kids'': Larry Clark and the Politics of Diminished Hopes
170
23
III RACE AND THE CULTURE OF VIOLENCE IN HOLLYWOOD FILMS
193
96
Racism and the Aesthetic of Hyper-real Violence: Pulp Fiction and Other Visual Tragedies
195
41
Multiculturalism and the Cultural Politics of Race in 187
236
22
Brutalized Bodies and Emasculated Politics: Fight Club, Consumerism and Masculine Violence
258
31
Index
289