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Tables of Contents for Opera, Liberalism and Antisemitism in Nineteenth-Century France
Chapter/Section Title
Page #
Page Count
Preface
Acknowledgements
List of illustrations
List of abbreviations
Introduction
1. The collaboration and rapprochement of La Juive's authors
The Halé
vys: citoyens and Israelites of France
3. The Council of Constance and the Voltairean critique
4. Jewish-Christian opposition in music and drama
5. Elé
azar and Rachel as literary stereotypes
6. The milieu of La Juive: Jewish imagery and identity in the July Monarchy
Epilogue
Appendices: A. Personnel, La Juive, Paris Opera, 1835
B. Synopsis of La Juive
C. Contract between Eugene Scribe and Louis Veron for libretto of La Juive, 25 August 1833
D. Basic stages of creation and first production of La Juive, c.1832/3-35
E. Description of the genesis of La Juive by Lé
on Halé
vy
F. Rapport from Sé
cré
taire, Commission de Surveillance to Ministre de l'Interieur
G. Records of payments to Fromental Halé
vy from Maurice Schlesinger for the musical scores of La Juive
H. Reviews of La Juive: Le Constitutionnel and La Gazette de France
I. Letters from Fromental Halé
vy
J. Excerpt from 'L'Artiste, le savant, et l'industriel: Dialogue' by Leon Halé
vy
K. Public notice of candidacy of Fromental Halé
vy to Assemblé
e nationale, 1848
Bibliography
Index.