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Tables of Contents for Global Pop
Chapter/Section Title
Page #
Page Count
Lists of Tables, Figures, and Music Examples
xi
2
Acknowledgments
xiii
2
Introduction
xv
1 Popular Musics and Globalization
1
38
Hasn't World Music Been Around for Thousands of Years?
Welcome to the Market
World Musicians
World Music Listeners
The Discourses of World Music
2 "Nothin' but the Same Old Story": Old Hegemonies, New Musics
39
30
Peter Gabriel: Us
The Work of Art in an Era of Minimal Reproduction
Kronos Quartet: Pieces of Africa
3 Strategies of Resistance
69
30
Ladysmith Black Mambazo: Two Worlds One Heart
Rhoma Irama: "Qur'an dan Koran"
Djur Djura: Women of the (Third) World, Unite!
4 A Music of One's Own
99
26
Pauline Oliveros
D'Cuckoo: Umoja
5 Strategic Inauthenticity
125
22
Youssou N'Dour: "A Modern Griot"
Angelique Kidjo: "Let's Create A Better Continent"
Whose Authenticity?
6 Anglo-Asian Self-Fashioning
147
26
Sheila Chandra: "From Me You've Stolen East and West"
Apache Indian's No Reservations: "A Very British Sound"
Bhangra in the U.S.
7 Toward a More Perfect Union: Cross-Cultural Collaborations
173
24
Johnny Clegg, Sipho Mchunu, and Juluka
The SongCatchers: "History 101"
Zap Mama: The Sound of Channel Surfing
8 Conclusions: We Are the World, and the World Is Us
197
10
Binaries? Yes/No
Whose Hybridity?
The "Global Postmodern"
Appendices
207
26
Appendix 1: Billboard World Music Charts, Arranged Chronologically
Appendix 2: History of the Folk, Ethnic, and World Music Grammy Awards
Appendix 3: "Donall Og"
References
233
26
Discography
Musical Scores
Filmography
Interviews
Unpublished Materials
CD-ROMs
Internet Sites
Internet Newsgroups
Publications/Interviews/Materials Available only on the Internet
Books and Articles
Permissions
259
2
Index
261