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Tables of Contents for The Dynamics of Harmony
Chapter/Section Title
Page #
Page Count
Foreword
iv
1
Acknowledgements
v
1
Introduction
vi
Chapter 1 Static harmony, consonance and dissonance
2
7
Chapter 2 Dominant to tonic
9
15
Chapter 3 Interlude I: the major-minor misapprehension
24
6
Chapter 4 Second level dominants
30
7
Chapter 5 Third level dominants--and beyond
37
9
Chapter 6 Interlude II: a note on inversions
46
5
Chapter 7 Closing the circle
51
9
Chapter 8 Segments of the circle and excursions on the way round
60
12
Chapter 9 Interlude III: the linear flow of parts in chorales--and elsewhere
72
15
Chapter 10 Substitutes, thirds and steps
87
11
Chapter 11 More colourful dominants: diminished sevenths
98
9
Chapter 12 More colourful dominants: augmented and Neapolitan sixths
107
9
Chapter 13 Interlude IV: more on piano textures
116
6
Chapter 14 Irresolute progressions, episodic six-threes, reverse thrusts and pedals
122
11
Chapter 15 Harmonic puns and further modulation
133
13
Chapter 16 Further exploration
146
3
Selected index
149