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Tables of Contents for Spanish Cinema
Chapter/Section Title
Page #
Page Count
List of Contributors
xi
List of Illustrations
xv
Prologue: The Long March of the Spanish Cinema towards Itself
xvii
Jose Luis Borau
Introduction
1
7
Peter William Evans
¡Bienvenido Mr Marshall! (Berlanga, 1952)
8
11
Wendy Rolph
In Search of a New Spanish Realism: Bardem's Calle Mayor (1956)
19
19
Stephen Roberts
Saura's Los golfos (1959; Released 1962): Heralding a New Cinema for the 1960s
38
17
Maria Delgado
Culture and Acculturation in Manuel Summers's Del rosa ... al amarillo (1963)
55
21
Susan Martin-Marquez
Fetishism and the Problem of Sexual Difference in Bunuel's Tristana (1970)
76
17
Jo Labanyi
Between Metaphysics and Scientism: Rehistoricizing Victor Erice's El espiritu de la colmena (1973)
93
22
Paul Julian Smith
Furtivos (Borau, 1975): My Mother, my Lover
115
13
Peter William Evans
Sex Change and Cultural Transformation in Aranda and Abril's Cambio de sexo (1977)
128
19
Marsha Kinder
Feminism, Politics, and Psychosis in Fernan Gomez's Mi hija Hildegart (1977)
147
17
Dominic Keown
El corazon del bosque (Gutierrez Aragon, 1979): Mist, Myth, and History
164
12
John Hopewell
Female Subjectivity in Gary Cooper que estas en los cielos (Miro, 1980)
176
18
Rikki Morgan
Re-imaging the Community: Imanol Uribe's La muerte de Mikel (1983) and the Cinema of Transition
194
16
Marvin D'Lugo
Epilogo (Suarez, 1984)
210
16
Xon de Ros
¿Que he hecho yo para merecer esto? (Almodovar, 1984)
226
16
Nuria Triana-Toribio
La vida alegre (Colomo, 1986)
242
12
Robin Fiddian
Las cosas del querer (Chavarri, 1989)
254
16
Chris Perriam
Motherland: Space, Femininity, and Spanishness in Jamon jamon (Bigas Luna, 1992)
270
16
Celestino Deleyto
Promiscuity, Pleasure, and Girl Power: Fernando Trueba's Belle Epoque (1992)
286
24
Barry Jordan
Julio Medem's Vacas (1991): Historicizing the Forest
310
15
Isabel C. Santaolalla
The Eroteticism of Nadie hablara de nosotras cuando hayamos muerto (Diaz Yanes, 1995)
325
22
Bernard P. E. Bentley
Index
347