search for books and compare prices
Tables of Contents for Modal Counterpoint, Renaissance Style
Chapter/Section Title
Page #
Page Count
Preface
v
Acknowledgments
vii
Note to the Student
viii
Note to the Instructor
x
Introduction: Renaissance Musical Style and Notation
1
8
Mode
9
9
Introduction to Two-Part Species Counterpoint
18
8
First Species
26
16
Second Species
42
14
Third Species
56
17
Fourth Species
73
13
Mixed Values
86
16
Counterpoint with Repetition of a Motive
102
10
Motivic Variation
112
19
Cadence Formulas in Two Voices
131
7
Two Parts in Mixed Values
138
12
The Imitative Duo
150
15
Invertible Counterpoint
165
11
Three Parts
176
30
Three Parts in Mixed Values
206
10
The Three-Voice Invertible Canon
216
18
Four-Part Writing
234
18
Adding Three Parts in Mixed Values to a CF
252
12
Four Parts in Mixed Values
264
31
Composing a Whole Piece
295
12
Appendix 1: Text Setting
307
2
Appendix 2: Improvisation and Ornamentation
309
3
Appendix 3: Solmization
312
4
Appendix 4: Sample Motive Placements
316
1
Appendix 5: The Invertible Duo
317
4
Bibliography
321
2
Index
323