A portrait of Thomas Jefferson's retirement years at Monticello captures a turbulent period in the former president's life marked by personal and financial problems, depression, the disintegration of his family, and the founding of the University of Virginia.

Much has been written about Thomas Jefferson, with good reason: His life was a great American drama—one of the greatest—played out in compelling acts. He was the architect of our democracy, a visionary chief executive who expanded this nation's physical boundaries to unimagined lengths. But Twilight at Monticello is something entirely new: an unprecedented and engrossing personal look at the intimate Jefferson in his final years that will change the way audiences think about this true American icon. It was during these years—from his return to Monticello in 1809 after two terms as president until his death in 1826—that Jefferson's idealism would be most severely, and heartbreakingly, tested. Based on new research and documents culled from the Library of Congress, the Virginia Historical Society, and other special collections—including hitherto unexamined letters from family, friends, and Monticello neighbors—Alan Pell Crawford paints an authoritative and deeply moving portrait of Thomas Jefferson as private citizen, the first original depiction of the man in more than a generation. Here, told with grace and masterly detail, is Jefferson with his family at Monticello, dealing with illness and the indignities wrought by early-nineteenth-century medicine; coping with massive debt and the immense costs associated with running a grand residence; navigating public disputes and mediating family squabbles; and receiving dignitaries and corresponding with close friends, including John Adams, the Marquis de Lafayette, and other heroes from the Revolution. Enmeshed as he was in these affairs during his final years, Jefferson was still a viable political force, advising his son-in-law Thomas Randolph during his terms as Virginia governor, helping the administration of his good friend President James Madison during the "internal improvements" controversy, and establishing the first wholly secular American institution of higher learning, the University of Virginia at Charlottesville. We also see Jefferson's views on slavery evolve, along with his awareness of the costs to civil harmony exacted by the Founding Fathers' failure to effectively reconcile slaveholding within a republic dedicated to liberty. Right up until his death on the fiftieth anniversary of America's founding, Thomas Jefferson remained an indispensable man, albeit a supremely human one. And it is precisely that figure Crawford introduces to us in the revelatory Twilight at Monticello.

The former president discusses the initiatives that he has undertaken since leaving the White House, including leading peacekeeping efforts for Ethiopia, North Korea, and Haiti, and establishing the Carter Center to help fight neglected diseases.

Much has been written about Thomas Jefferson, with good reason: His life was a great American drama—one of the greatest—played out in compelling acts. He was the architect of our democracy, a visionary chief executive who expanded this nation's physical boundaries to unimagined lengths. But Twilight at Monticello is something entirely new: an unprecedented and engrossing personal look at the intimate Jefferson in his final years that will change the way audiences think about this true American icon. It was during these years—from his return to Monticello in 1809 after two terms as president until his death in 1826—that Jefferson's idealism would be most severely, and heartbreakingly, tested. Based on new research and documents culled from the Library of Congress, the Virginia Historical Society, and other special collections—including hitherto unexamined letters from family, friends, and Monticello neighbors—Alan Pell Crawford paints an authoritative and deeply moving portrait of Thomas Jefferson as private citizen, the first original depiction of the man in more than a generation. Here, told with grace and masterly detail, is Jefferson with his family at Monticello, dealing with illness and the indignities wrought by early-nineteenth-century medicine; coping with massive debt and the immense costs associated with running a grand residence; navigating public disputes and mediating family squabbles; and receiving dignitaries and corresponding with close friends, including John Adams, the Marquis de Lafayette, and other heroes from the Revolution. Enmeshed as he was in these affairs during his final years, Jefferson was still a viable political force, advising his son-in-law Thomas Randolph during his terms as Virginia governor, helping the administration of his good friend President James Madison during the "internal improvements" controversy, and establishing the first wholly secular American institution of higher learning, the University of Virginia at Charlottesville. We also see Jefferson's views on slavery evolve, along with his awareness of the costs to civil harmony exacted by the Founding Fathers' failure to effectively reconcile slaveholding within a republic dedicated to liberty. Right up until his death on the fiftieth anniversary of America's founding, Thomas Jefferson remained an indispensable man, albeit a supremely human one. And it is precisely that figure Crawford introduces to us in the revelatory Twilight at Monticello.

Describes the post-presidency and legacy of America's forty-second president, focusing on Clinton's questionable actions and lamenting how he continues to fall short of his potential.