Product Description: English summary: For 30 years, a research team led by archaeologist Vinzenz Brinkmann has been seeking the answer to a question of great importance in understanding ancient Greek and Roman art: How should we imagine an ancient marble statue in its original, colorful appearance? Using photographic techniques and scientific methods of analysis, numerous individual pieces of information on the phenomenon of polychrome statues was collected...read more

Ever since antiquity, sculptors have used colored materials and tints to give a lifelike quality to three-dimensional portraits and statues, yet the term “sculpture” tends to evoke images of white marble. This is the first comprehensive study to examine a broad historical range of sculptors’ use of polychromy to enliven figural works. This important volume presents five essays on polychromy in Classical Greek through contemporary sculpture, along with individual discussions of over forty extraordinary works, from Old Kingdom Egypt to the present day, including sculptures whose polychromy has only been recently discovered, analyzed, or reconstructed through advanced technical evaluation. Published to coincide with an exhibition on view in the J. Paul Getty Museum at the Getty Villa from March 6 to June 23, 2008, this catalogue introduces the art lover and specialist alike to many unfamiliar concepts and masterpieces of an alternative history of sculpture. The works are presented not chronologically but in pairings and sequences that inspire insightful connections, tracing aspects of the impulse that through the ages has inspired sculptors to endow otherwise monochrome figures with the color of life. 

Product Description: Sculpture is commonly associated with the three dimensions of volume, while color is claimed as the exclusive means of expression for painters. However, polychromy was widely used in sculpture from the Middle Ages to the Baroque and beginning in 1814, there was a renewed interest in antique polychromy...read more