This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Product Description: In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works. Using biographical matters as a frame for his interpretations, Loving demonstrates how Dickinson's life is bound up with any series reading of her work...read more

A collection of poems, biographical vignettes, and photographs offers a look at the life and work of Whitman

Product Description: What So Proudly We Hailed is the first full-length biography of Francis Scott Key in more than 75 years. In this fascinating look at early America, historian Marc Leepson explores the life and legacy of Francis Scott Key. Standing alongside Betsy Ross, Thomas Paine, Patrick Henry, Paul Revere, and John Hancock in history, Key made his mark as an American icon by one single and unforgettable act, writing "The Star-Spangled Banner...read more

This is a play was first produced in 1977 in Africa. It is humorous and social commentary regarding the dictatorial regimes that were currently in place.

In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works. Using biographical matters as a frame for his interpretations, Loving demonstrates how Dickinson's life is bound up with any series reading of her work. Literally, Dickinson wrote on the second storey of her father's house, but Loving argues that she also used that 'story' (or art) as both a retreat from the transitory nature of life and as a way of experiencing life in what might be termed the 'subjunctive' instead of the 'imperative'. Her persona, therefore, is as disembodied in the poems as was the reclusive poet to visitors to the Amherst 'Homestead'. Loving attempts to show that the voice we hear in the poems is that of the 'mind alone', as Dickinson herself said, 'without corporeal friend'. Of interest to students and scholars of American literature, this critical study will also interest more general readers who enjoy Dickinson's poetry.

Product Description: By the end of her life, Emily Dickinson lived in virtual isolation in her family’s home, refusing any contact with strangers. Though she attracted local renown as a recluse, her reputation as one of America’s finest and most original poets was established only posthumously; her works, numbering nearly two thousand, were virtually all unpublished at the time of  her death...read more

Product Description: This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience...read more

An early biographical study written by an Englishman with strong emotional ties to the United States. ILLUS.