This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Product Description: In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works. Using biographical matters as a frame for his interpretations, Loving demonstrates how Dickinson's life is bound up with any series reading of her work...read more

A collection of poems, biographical vignettes, and photographs offers a look at the life and work of Whitman

Product Description: What So Proudly We Hailed is the first full-length biography of Francis Scott Key in more than 75 years. In this fascinating look at early America, historian Marc Leepson explores the life and legacy of Francis Scott Key. Standing alongside Betsy Ross, Thomas Paine, Patrick Henry, Paul Revere, and John Hancock in history, Key made his mark as an American icon by one single and unforgettable act, writing "The Star-Spangled Banner...read more

Product Description: For challenge and encouragement in your Christian life, read the life stories of the Heroes of the Faith. The novelized biographies of this series are inspiring and easy-to-read, ideal for Christians of any age or background. In Fanny Crosby, readers will get to know the disabled woman, blinded as a young child, whose spiritual “eyes” saw great biblical truths—and turned them into thousands of hymns to God...read more

Product Description: This is the only biography ever published singly of the young black who struggled against the most grinding poverty, who never completed his education as he desired, and who yet became famous when just twenty-four years of age. Enthusiastic readers of his poetry, novels, stories, and sketches turned appreciation of his work into a vogue...read more

This is a play was first produced in 1977 in Africa. It is humorous and social commentary regarding the dictatorial regimes that were currently in place.

In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works. Using biographical matters as a frame for his interpretations, Loving demonstrates how Dickinson's life is bound up with any series reading of her work. Literally, Dickinson wrote on the second storey of her father's house, but Loving argues that she also used that 'story' (or art) as both a retreat from the transitory nature of life and as a way of experiencing life in what might be termed the 'subjunctive' instead of the 'imperative'. Her persona, therefore, is as disembodied in the poems as was the reclusive poet to visitors to the Amherst 'Homestead'. Loving attempts to show that the voice we hear in the poems is that of the 'mind alone', as Dickinson herself said, 'without corporeal friend'. Of interest to students and scholars of American literature, this critical study will also interest more general readers who enjoy Dickinson's poetry.

Product Description: By the end of her life, Emily Dickinson lived in virtual isolation in her family’s home, refusing any contact with strangers. Though she attracted local renown as a recluse, her reputation as one of America’s finest and most original poets was established only posthumously; her works, numbering nearly two thousand, were virtually all unpublished at the time of  her death...read more

The first book to portray one of the most remarkable friendships in American letters, that of Emily Dickinson—recluse, poet—and Thomas Wentworth Higginson, minister, literary figure, active abolitionist.Their friendship began in 1862. The Civil War was raging. Dickinson was thirty-one; Higginson, thirty-eight. A former pastor at the Free Church of Worcester, Massachusetts, he wrote often for the cultural magazine of the day, The Atlantic Monthly—on gymnastics, women’s rights, and slavery. His article “Letter to a Young Contributor” gave advice to readers who wanted to write for the magazine and offered tips on how to submit one’s work (“use black ink, good pens, white paper”).Among the letters Higginson received in response was one scrawled in looping, difficult handwriting. Four poems were enclosed in a smaller envelope. He deciphered the scribble: “Are you too deeply occupied to say if my Verse is alive?”Higginson read the poems. The writing was unique, uncategorizable. It was clear to him that this was “a wholly new and original poetic genius,” and the memory of that moment stayed with him when he wrote about it thirty years later.Emily Dickinson’s question inaugurated one of the least likely correspondences in American letters—between a man who ran guns to Kansas, backed John Brown, and would soon command the first Union regiment of black soldiers, and the eremitic, elusive poet who cannily told him she did not cross her “Father’s ground to any House or town.”For the next quarter century, until her death in 1886, Dickinson sent Higginson dazzling poems, almost one hundred of them—many of them her best. Their metrical forms were unusual, their punctuation unpredictable, their images elliptical, innovative, unsentimental. Poetry torn up by the roots, Higginson later said, that “gives the sudden transitions.”Dickinson was a genius of the faux-naïf variety, reclusive to be sure but more savvy than one might imagine, more self-conscious and sly, and certainly aware of her outsize talent. “Dare you see a Soul at the ‘White Heat’?” she wondered. She dared, and he did.In this shimmering, revelatory work, Brenda Wineapple re-creates the extraordinary, delicate friendship that led to the publication of Dickinson’s poetry. And though she and Higginson met face-to-face only twice (he had never met anyone “who drained my nerve power so much,” he said), their friendship reveals much about Dickinson, throwing light onto both the darkened door of the poet’s imagination and a corner of the noisy century that she and Colonel Higginson shared.White Heat is about poetry, politics, and love; it is, as well, a story of seclusion and engagement, isolation and activism—and the way they were related—in the roiling America of the nineteenth century.

Product Description: This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience...read more

An early biographical study written by an Englishman with strong emotional ties to the United States. ILLUS.