Product Description: No Hamlets is the first critical account of the role of Shakespeare in the intellectual tradition of the political right in Germany from the founding of the Empire in 1871 to the "Bonn Republic" of the Cold War era. In this sustained study, Andreas Hofele begins with Friedrich Nietzsche and follows the rightist engagement with Shakespeare to the poet Stefan George and his circle, including Ernst Kantorowicz, and the literary efforts of the young Joseph Goebbels during the Weimar Republic, continuing with the Shakespeare debate in the Third Reich and its aftermath in the controversy over "inner emigration" and concluding with Carl Schmitt's Shakespeare writings of the 1950s...read more

Product Description: This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically...read more

Inspired by new approaches in performance studies, theatre history, research in material culture and dress history, a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research, bringing together varied and stimulating essays by leading scholars that consider costume from literary, dramatic, design, performative and theatrical perspectives, as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. Beginning with an overview of the stage history of Shakespeare and costume, the volume looks at the historical context of clothing in the plays, considering topics such as royal self-fashioning, festive livery practices, and conceptions of race and gender exhibited in clothing choice, as well as costume in performance. Drawing on documentary evidence in designers' renderings, illustrations in periodicals, paintings, photographs, newspaper reviews and actors' memoirs, the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.

Product Description: During the Renaissance, moral philosophy came to permeate the minds of many, including the spectators that poured into Shakespeare's Globe theatre. Examining these strains of thought that formed the basis for humanism, Raspa delves into King Lear , Hamlet , among others to unlock what influence this had on both Shakespeare and his interpreters...read more

Product Description: This study contends that folly is of fundamental importance to the implicit philosophical vision of Shakespeare’s drama. The discourse of folly’s wordplay, jubilant ironies, and vertiginous paradoxes furnish Shakespeare with a way of understanding that lays bare the hypocrisies and absurdities of the serious world...read more

Product Description: A fascinating playbill of stories from the weird and wonderful world of Shakespearean theatre through the centuries, including distinguished actors falling off stages, fluffed lines, performances in the dark, and why you must never, ever say the name of that Scottish play, especially if you are Peter O'Toole...read more

Product Description: The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind...read more

Product Description: On April 23, 1916, Oxford University Press published a magnificent volume entitled A Book of Homage to Shakespeare, edited by Professor Israel Gollancz. Created to mark the tercentenary of Shakespeare's death in the very midst of the First World War, it was a substantial folio-sized volume of 557 pages bound in white leather with Shakespeare's coat of arms embossed in gold, with nine leaves of plates, each protected by tissue: with textured pages laid out with a generous and elegant text design, it is a strikingly beautiful material object in its own right, quite apart from its contents, which include contributions by writers from Rudyard Kipling to Rabindranath Tagore, from John Galsworthy to Maurice Maeterlinck...read more

Product Description: The Oxford Handbook of the Age of Shakespeare presents a broad sampling of current historical scholarship on the period of Shakespeare's career that will assist and stimulate scholars of his poems and plays. Rather than merely attempting to summarize the historical "background" to Shakespeare, individual chapters seek to exemplify a wide variety of perspectives and methodologies currently used in historical research on the early modern period that can inform close analysis of literature...read more

Product Description: This book attempts to look into the problematic trajectories of Shakespeare's use of violence in three of his tragedies -- TITUS ANDRONICUS, HAMLET and MACBETH and considers the possibility of their contemporary interpretations.

The colorful story of the creation of the Globe Theatre―as a result of the dramatic confrontation between Lady Elizabeth Russell and William Shakespeare. In November 1596, a woman signed a document that would nearly destroy the career of William Shakespeare . . . Who was this woman who played such an instrumental, yet little known, role in Shakespeare's life? Never far from controversy when she was alive―she sparked numerous riots and indulged in acts of breaking-and-entering, bribery, blackmail, kidnapping and armed combat―Lady Elizabeth Russell, the self-styled Dowager Countess of Bedford, has been edited out of public memory, yet the chain of events she set in motion would make Shakespeare the legendary figure we all know today.Lady Elizabeth Russell’s extraordinary life made her one of the most formidable women of the Renaissance. The daughter of King Edward VI’s tutor, she blazed a trail across Elizabethan England as an intellectual and radical Protestant. And, in November 1596, she became the leader of a movement aimed at destroying William Shakespeare’s theatrical troupe―a plot that resulted in the closure of the Blackfriars Theatre but the construction, instead, of the Globe.Providing new pieces to this puzzle, Chris Laoutaris's rousing history reveals for the first time this startling battle against Shakespeare and the Lord Chamberlain's Men. 16 pages of color and B&W illustrations