Kalidasa's play about the love of King Dusyanta for Sakuntala, a monastic girl, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone and in performance, The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, comparable to certain types of mystical experience. The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

Product Description: 22 essays and interviews, translated from Hindi. on contemporary Indian drama, theory. analysis of Oriental and Western approaches to drama

This work attempts to explore some of the links between culture, history and gender and between literature and history, through reading variant versions of the narrative of Sakuntala. These include the stories in the "Mahabharata" and the 18th century "Katha" in Braj.

On the thumri style in Hindustani school of music, romantic and devotional in temperament, with introduction to the vocalists and dancers of the genre and Thumri dance-songs in Hindi and English.