In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Baudelaire, Mallarmé and Valéry, three central poets of the modern French tradition, form a noble poetic lineage: Mallarmé proceeded from Baudelaire, Valéry from Mallarmé; yet each went his separate way and attained a high degree of originality. All three reflected deeply on the principles of poetic creation; all three sought to apply these principles in the practice of writing. The central theme of the eighteen papers collected here is the constant confrontation of theory and practice. The majority are close studies of individual poems, based on rigourous textual analysis, but placing each poem, implicitly or explicitly, in the total context of each poet's work as a whole. The impact of these poets on the development of modern poetry has been felt far beyond the frontiers of France; their writings are at the centre of more recent reflection on literature in genera, and poetry in particular, as the application of certain properties of language. Above all, their poems remain a constant source of delight; to share that delight with the reader is the main object of this book.

Product Description: Being Me is the second sensual adventure in New York Times bestselling author Lisa Renee Jones’s “totally swoon worthy” and “absolutely enthralling” (Under the Covers) Inside Out series.I arch into him, drinking in his passion, instantly, willingly consumed by all that he is and could be to me...read more

Product Description: First published in 1971, this work provides a helpful introduction to the French Symbolism movement. After an introduction to the defining ideas of the movement, it explores five key Symbolist writers: Baudelaire, Verlaine, Rimbaud, Mallarme and Valery...read more

Product Description: This collection of essays, by both seasoned Baudelaire scholars and by newcomers, reflects the breadth of the poet's artistic and intellectual worlds. Special attention is paid to Baudelaire's active interest in music and in the visual arts and how this r

Product Description: The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form...read more

Product Description: Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject to wide-ranging interpretations...read more

Product Description: Originally published in 1951, this book explores the nature of literary influence, and its part in literary creation, as found at work in some aspects of French poetry after Baudelaire. Part I contains an essay on Swedenborg and Baudelaire, an essay on Edgar Allan Poe, Baudelaire and Mallarné, a third on the 'imposing but frequently miscalculated effects' of Baudelaire's discovery of Poe and a fourth on Whitman and the Symbolists...read more

Baudelaire, Mallarmé and Valéry, three central poets of the modern French tradition, form a noble poetic lineage: Mallarmé proceeded from Baudelaire, Valéry from Mallarmé; yet each went his separate way and attained a high degree of originality. All three reflected deeply on the principles of poetic creation; all three sought to apply these principles in the practice of writing. The central theme of the eighteen papers collected here is the constant confrontation of theory and practice. The majority are close studies of individual poems, based on rigourous textual analysis, but placing each poem, implicitly or explicitly, in the total context of each poet's work as a whole. The impact of these poets on the development of modern poetry has been felt far beyond the frontiers of France; their writings are at the centre of more recent reflection on literature in genera, and poetry in particular, as the application of certain properties of language. Above all, their poems remain a constant source of delight; to share that delight with the reader is the main object of this book.

Product Description: As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts...read more

Product Description: Dr Scott argues that only by attending to the precise locations of words in line or stanza, and to the specific value of syllables, or by understanding the often conflicting demands of rhythm and metre, can the reader of poetry acquire a real grasp of the intimate life of words in verse with all their fluctuations of meaning, mood and tone...read more

Product Description: In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Réda...read more

Product Description: Orientalist Poetics is the only book on literary orientalism that spans the nineteenth century in both England and France with particular attention to poetry and poetics. It convincingly demonstrates orientalism's centrality to the evolution of poetry and poetics in both nations, and provides a singularly comprehensive and definitive analysis of the aesthetic impact of orientalism on nineteenth-century poetry...read more (view table of contents, read Amazon.com's description)

Product Description: Crossroad of Arts, Crossroad of Cultures is the first book-length study of the aesthetic similarities between the French Parnassians, a 19th-century group of poets led by Théophile Gautier, and the Russian Acmeist poets, including Osip Mandelstam and Anna Akhmatova, who were active in the second decade of the 20th century...read more (view table of contents, read Amazon.com's description)

Product Description: Socrates banished poetry from the ideal republic, adopting the philosophical position that poetic language operates outside the conventions of public discourse and is private in expression. But what does the banished language of poetry say about its relation to public space? Is it possible to draw a line severing the language of beauty from the language of truth? Derrida asks whether the line ought rather to pass between Western metaphysics, with its logic of polar opposites, and another way that does not organize everything in oppositional terms...read more

Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction. (view table of contents)

Product Description: At the end of the nineteenth century in France, there arose a literary movement, termed le naturisme by its founder, Saint-Georges de Bouhélier. Anti-symbolist in its conception, le naturisme contained as its tenets a return to clarity and simplicity of expression and a strict avoidance of symbolist hermeticism, characteristic of Mallarmé and others...read more

Product Description: Although the muse is an integral element in discussions of poetic creation, no extended study before Refiguring the Muse has addressed the role of this figure in French literature. This work focuses on the poetry of Stéphane Mallarmé, Albert Samain, Sully Prudhomme, Anna de Noailles, and Renée Vivien and takes as its central concern the relationships between poetic expression and the social, cultural, and historical representations of gender between 1870 and 1914...read more (view table of contents, read Amazon.com's description)

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Product Description: Die moderne Groastadt ueberfordert aufgrund ihrer Unueberschaubarkeit den literarischen Beschreibungsdiskurs. Weich widmet sich am Beispiel der Metropole Paris und ihrer Darstellung in der Versdichtung ab Baudelaire der Frage, welche Strategien gerade die Kleinform der Lyrik entwickelt, um das sich seiner Beschreibung prinzipiell Entziehende gleichwohl zu fassen...read more

Product Description: This book is uniquely designed for those interested in the radical possibilities of poetry, and for students of French literature at graduate and undergraduate level.The development of modern French poetry is marked by striking formal innovation -- poemesen prose, vers libres, versets, calligrammes, lettrisme, spatialisme, poesie concrete, poesie eclatee -- which break the traditional moulds of versification without abandoning the values of poetry, with its implicit aesthetic criteria...read more

Product Description: This study of four major poets - Mallarme, Baudelaire, Rimbaud, and Holderlin - examines the self-reflexivity of modern poetry, exploring questions concerning what it means for a poem to be 'about' its own process of saying. What does it mean to read and understand a text that is focused not on its content but on its saying? What kind of relation does a writer have to the language used in a text? How are we to think about the relation of content to the saying...read more