Product Description: A time of great changes after nearly a century of foreign wars and civil strife, the Tudor era witnessed a significant transformation of dramatic art. Medieval traditions were modified by the forces of humanism and the Reformation, and a renewed interest in classical models inspired experimentation...read more

Product Description: This new edition of The Towneley Plays (c. 1500) replaces the edition by George England and Alfred W. Pollard published nearly one hundred years ago by the Early English Text Society. Apart from the corrections of errors in the transcription of the text, the new edition offers a comprehensive introduction, body of notes, and glossary...read more

In this interdisciplinary study of drama, arts, and spirituality, Gail Gibson provides a provocative reappraisal of fifteenth-century English theater through a detailed portrait of the flourishing cultures of Suffolk and Norfolk. By emphasizing the importance of the Incarnation of Christ as a model and justification for late medieval drama and art, Gibson challenges currently held views of the secularization of late medieval culture.

The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

God's creations of man in a lyrical dramatization; Noah's cantankerous and hilariously funny wife refusing to leave without her friends; the Massacre of the InnocentsMiracle Plays were a popular form of entertainment throughout the Middle Ages, and part of the poetic and dramatic tradition on which Shakespeare drew.Everymandiscovers what you can't take with you when you go. He beseeches in turn friends, family (one pleads 'cramp in my toe'), possessions ('I follow no man in such voyages'), and finally falls back on moral and religious values.The most comprehensive paperback edition available, with introduction and extensive notes.