Early literary criticism was undisciplined. Unlike the staid essays and monographs of later academic scholarship, English criticism first appeared in the contentious world of the London theater: dramatists and other poets argued about their craft in contending prefaces and dedications, and their disputes spilled into the public sphere in pamphlet wars, mock epics, lampoons, and even novels. Across these forms, criticism was personal, political, and unconcerned with analysis for its own sake. Yet this unruly discourse laid the groundwork both for modern literary criticism and for the discipline of literary studies. The Invention of English Criticism explores the earliest uses of criticism and the attempts by some to convert a field of literary debate into an archive of useful knowledge. Criticism's undisciplined past thus illuminates its contested, ambivalent, and never fully disciplined present.

Product Description: With over 40,000 described species, spiders have adapted to nearly every terrestrial environment across the globe. Over half of the world’s spider families live within the three contiguous Pacific Coast states—not surprising considering the wide variety of habitats, from mountain meadows and desert dunes to redwood forests and massive urban centers...read more

Product Description: The Critic in the Modern World explores the work of six influential literary critics―Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood―each of whom occupies a distinct historical moment...read more

Product Description: This book explains how literary criticism contributed to the creation of new literary genres, forms, and conventions. Particularly when written by authors who are still writing literature, it shows how criticism offers a way to invent new styles of literature...read more

Product Description: Horror fiction stormed the bestseller lists with classics like Rosemary's Baby and The Exorcist, setting the stage for Stephen King's worldwide popularity, but the genre has literary roots going back centuries. This collection provides insight into the way classic horror texts were received, interpreted and discussed by the first generations to experience them, ideas that continue to define the way modern society views horror...read more

Product Description: First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. (view table of contents, read Amazon.com's description)

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Product Description: An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicize their work and favour literary production in the vernacular...read more (view table of contents, read Amazon.com's description)

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Why has Anglo-American culture for so long regarded "theory" with intense suspicion? In this important contribution to the history of critical theory, David Simpson argues that a nationalist myth underlies contemporary attacks on theory. Theory's antagonists, Simpson shows, invoke the same criteria of common sense and national solidarity as did the British intellectuals who rebelled against "theory" and "method" during the French Revolution.Simpson demonstrates the close association between "theory" and "method" and shows that by the mid-eighteenth century, "method" had acquired distinctly subversive associations in England. Attributed increasingly to the French and the Germans, "method" paradoxically evoked images both of inhuman rationality and unbridled sentimentality; in either incarnation, it was seen as a threat to what was claimed to be authentically British. Simpson develops these paradigms in relation to feminism, the gendering of Anglo-American culture, and the emergence of literature and literary criticism as antitheoretical discourses. He then looks at the Romantic poets' response to this confining ideology of the cultural role of literature. Finally, Simpson considers postmodern theory's claims for the radical energy of nonrational or antirationalist positions.This is an essential book not only for students of the Romantic period and intellectual historians concerned with the idea of "method," but for anyone interested in the historical background of today's debates over the excesses and possibilities of "theory."

This collection offers a reinterpretation of the history of British criticism by exploring the work of neglected as well as celebrated critics. It contextualizes the current crisis and shows how traditional criticism anticipates and to some extent parallels the concerns of postmodern critical theory. The issue of value is also addressed as is the question of the future direction of criticism making this volume an important contribution to contemporary critical debate.

Product Description: Examining the transformation of English literary criticism, this book focuses on the social objectives of the pioneer critics and educationalists who established modern English studies. Of particular concern is their view of literary culture as a civilizing influence capable of reconciling class conflict, and their desire to preserve this culture in the face of the new dangers of "mass society"--advertising, pulp fiction, and the cinema...read more

Product Description: This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact...read more