Michel Foucault defined critique as an exercise in de-subjectivation. To what extent did this claim shape his philosophical practice? What are its theoretical and ethical justifications? Why did Foucault come to view the production of subjectivity as a key site of political and intellectual emancipation in the present? Andrea Rossi pursues these questions in The Labour of Subjectivity. The book re-examines the genealogy of the politics of subjectivity that Foucault began to outline in his lectures at the Collège de France in the late 1970s and early 1980s. He explores Christian confession, raison d’état, biopolitics and bioeconomy as the different technologies by which Western politics has attempted to produce, regulate and give form to the subjectivity of its subjects. Ultimately Rossi argues that Foucault’s critical project can only be comprehended within the context of this historico-political trajectory, as an attempt to give the extant politics of the self a new horizon.

Product Description: Though contemporary European philosophy and critical theory have long had a robust engagement with Christianity, there has been no similar engagement with Buddhism—a surprising lack, given Buddhism’s global reach and obvious affinities with much of Continental philosophy...read more

Collaborative Projects - An Interdisciplinary Study presents research in disciplines ranging from Education, Psychotherapy and Social Work to Literacy and anti-poverty Project Management to Social Movement studies and Political Science. All the contributions are unified by use of the concept of 'project'. 'Project' is 'leading activity' for Child Development, whilst 'life project' may play a crucial role in personal development and Psychotherapy; the social fabric of a community can be understood as woven from projects which may be sustained by NGOs, or develop from social movements to institutions. Giving concrete content to the concept of 'project' in each domain of research, opens a prospect of a genuinely interdisciplinary human science. Contributors are: Igor Arievitch, Michael Arnold, Lynn Beaton, William Blanton, Andy Blunden, Michael Cole, Brecht De Smet, Natalia Gajdamaschko, Virginia Gordon, Manfred Holodynski, Naja Berg Hougaard, Vera John-Steiner, Elena Kravtsova, Gennadiy Kravtsov, Ron Lubensky, Morten Nissen, Jennifer Power, Mike Rifino, Keiko Matsuura, Francisco Medina, Anna Stetsenko, Greg Thompson, Chiel van der Veen, Eduardo Vianna, Lynne Wolbert, and Helena Worthen.

Product Description: By examining Amilcar Cabral's theories and praxes, Reiland Rabaka reintroduces and analyzes several of the core characteristics of the Africana critical theory. Ultimately, this book promotes the ways in which classical black radicalism should inform contemporary black radicalism, and contemporary Africana critical theory...read more

Running a one-woman agency in Strasbourg, Arlette Van der Valk sets out to uncover an illegal fur-trader's activities and ends up in the Argentine searching for a runaway. What ensues is a chilling warning from a mysterious voice on the telephone. It seems that one of her murdered husband's rivals has finally caught up with her. Life for Arlette is just one damn thing after another. Nicolas Freeling (March 3, 1927 – July 20, 2003), was a British crime novelist, best known as the author of the van der Valk series of detective novels. Freeling's The King of the Rainy Country received a 1967 Edgar Award, from the Mystery Writers of America, for Best Novel. He also won the Gold Dagger of the Crime Writers' Association, and France's Grand Prix de Littérature Policière. In 1968 his novel Love in Amsterdam was adapted as the film Amsterdam Affair directed by Gerry O'Hara and starring Wolfgang Kieling as van Der Valk.