Winner of the 2016 Theodor Seuss Geisel AwardMo is the youngest kid on the Robins, his football team. His classmates don’t mind, but the kids on their rival team tease him for being a "butterfingers" who's too tiny to catch the ball. But Mo's coach has a plan to turn Mo's little size into a big win for the Robins! This Level 2 reader about a little African-American boy with a big passion for sports was the winner of the Theodor Seuss Geisel Award in 2016.

Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

This is a fascinating overview of the history of sound art. The rise of a prominent auditory culture, as seen in the recent plethora of art exhibitions on sound art, in conjunction with academic programs dedicated to "aural culture", sonic art, and auditory issues now emerging, reveals the degree to which sound art is lending definition to the 21st century. And yet, sound art still lacks related literature to compliment, and expand, the realm of practice. "Background Noise" sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework.

Stephen Eric Bronner revisits the modernist project's groundbreaking innovations, itsexperimental imagination, and its utopian politics. Reading the artistic and intellectual achievements of the movement's leading figures against larger social, political, and cultural trends, he follows the rise of a flawed yet salient effort at liberation and its confrontation with modernity.Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing commodification of mass culture. Modernists sought new ways of feeling, new forms of expression, and new possibilities of experience while seeking to refashion society. Liberation was their aim, along with the invigoration of daily life―yet their process entangled political resistance with the cultural. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today. The result is a long overdue reinterpretation and rehabilitation of the modernist legacy for a new age.

The persecution of lesbians and gay men by the Nazis is a subject that has been constantly debated during the last decade, providing a theme for books, articles, and plays. Until recently the discussion has remained speculative: most of the relevant documents were stored in closed East German archives, and access was denied to scholars and researchers.As a result of the unification of East and West Germany, these archives are now open. Hidden Holocaust, by the German scholars Gunter Grau and Claudia Shoppmann of Humboldt Uinversity, Berlin, demonstrates that the eradication of homosexuals was a declared gol of the Nazis even before they took power in 1933, and provide proof of the systematic anti-gay campaigns, the methods used tjo justify discrimination, and the incarceration mutilation and murder of gay men and women in Nazi concentration camps. A chilling but groud-breaking work in gay and lesbian studies.

Hurston recounts her experiences collecting Afro-American folklore and offers some seventy folk tales and a series of hoodoo rituals

Product Description: An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present.

The Visual Culture Reader does justice to this exciting interdisciplinary field, bringing together key writings as well as specially commissioned articles by authors including Roland Barthes, Jean Baudrillard, Judith Butler, Donna Haraway and Kobena Mercer. In total, 63 essays cover photography, painting, sculpture, fashion, advertising, television, cinema and digital culture. The reader, now in a completely revised new edition, comprises articles grouped into thematic sections, each prefaced by an introduction by the editor, and including suggestions for further reading.

Product Description: Contents: Preparing for the Assignment; Negotiating; Researching; Choosing Equipment; Packing; On the Road; Security, and more. Country Files. Appendixes. 27 line drawings, 3 halftones.