What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

In the contemporary fascination with images of crime, violence gets under our skin and keeps us enthralled. The Scene of Violence explores the spectator’s encounter with the cinematic scene of violence – rape and revenge, homicide and serial killing, torture and terrorism. Providing a detailed reading of both classical and contemporary films – for example, Kill Bill, Blue Velvet, Reservoir Dogs, The Matrix, Psycho, The Accused, Elephant, Seven, Thelma & Louise, United 93, Zodiac, and No Country for Old Men – Alison Young returns the affective processes of the cinematic image to the study of law, crime and violence. Engaging with legal theory, cultural criminology and film studies, the book unfolds both our attachment to the authority of law and our identification with the illicit. Its original contribution is to bring together the cultural fascination of crime with a nuanced account of what it means to watch cinema. The Scene of Violence shows how the spectator is bound by the laws of film to the judgment of the crime-image.

Art, value, law - the links between these three terms mark a history of struggle in the cultural scene. Studies of contemporary culture have thus increasingly turned to the image as central to the production of legitimacy, aesthetics and order. Judging the Image extends the cultural turn in legal and criminological studies by interrogating our responses to the image. This book provides a space to think through problems of ethics, social authority and the legal imagination. Concepts of memory and interpretation, violence and aesthetic, authority and legitimacy are considered in a diverse range of sites, including:* body, performance and regulation * judgment, censorship and controversial artworks* graffiti and the aesthetics of public space* HIV and the art of the disappearing body* witnessing, ethics and the performance of suffering* memorial images - art in the wake of disaster.

Product Description: The privatization of the utilities by the Conservative governments of the 1980s and 1990s was a major shift in public policy. It was also a huge experiment in reinventing government, since the newly privatized companies were regulated by high-profile individuals...read more (view table of contents, read Amazon.com's description)

Product Description: In general terms, the essays of this collection address the peculiar and uncanny commonplace that doctrine is the subject of law. Their theme is the various and varied relations between law, doctrine and crime, and the predicament that has arisen from all three seemingly occupying the place of the subject of law...read more (view table of contents, read Amazon.com's description)

Product Description: First selection of Andrew Young's best-known short poems and the long mystical poem Into Hades. The volume is illustrated by Joan Hassalal's powerful wood-engravings.

Product Description: In "Femininity in Dissent", Alison Young examines the images constructed by the Press of women's political protest. Taking the peace camp at Greenham Common as her example, she analyzes the way in which women protestors are represented as deviant...read more