The House of the Seven Gables is a Gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne. The novel follows a New England family and their ancestral home. In the book, Hawthorne explores themes of guilt, retribution, and atonement and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by a gabled house in Salem belonging to Hawthorne's cousin Susanna Ingersoll and by ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692.

Introduction by Brenda WineappleIn 1845 Ralph Waldo Emerson began a series of lectures and writings in which he limned six figures who embodied the principles and aspirations of a still-young American republic. Emerson offers timeless meditations on the value of individual greatness, reconnecting readers with the everyday virtues of his “Representative Men”: Plato, in whose writings are contained “the culture of nations”; Emanuel Swedenborg, a “rich discoverer” who strove to unite the scientific and spiritual planes; Michel de Montaigne, “the frankest and honestest of all writers”; William Shakespeare, who “wrote the text of modern life”; Napoleon Bonaparte, who had the “virtues and vices” of common men writ large; and Johann Wolfgang von Goethe, who “in conversation, in calamity…finds new materials.”This Modern Library Paperback Classic reflects the author’s corrections for an 1876 reprinting.

Product Description: A new edition of Henry James's classic novel featuring a new afterword.Milly Theale, an American heiress in London, is young, hungry for life, and terminally ill. There she meets the dazzling beauty Kate Croy. Unbeknownst to Milly, Kate is madly in love with an old acquaintance of hers, Merton Densher, a young journalist who has everything a woman could want—except money...read more

Product Description: Nineteenth-Century American Writers on Writing features essays, letters, poems, prose, and excerpts of interviews by fifty-seven leading authors of the century. Each had to figure out what it meant to be a writer within the context of the relatively new nation they spoke to, for, and about...read more

The first book to portray one of the most remarkable friendships in American letters, that of Emily Dickinson—recluse, poet—and Thomas Wentworth Higginson, minister, literary figure, active abolitionist.Their friendship began in 1862. The Civil War was raging. Dickinson was thirty-one; Higginson, thirty-eight. A former pastor at the Free Church of Worcester, Massachusetts, he wrote often for the cultural magazine of the day, The Atlantic Monthly—on gymnastics, women’s rights, and slavery. His article “Letter to a Young Contributor” gave advice to readers who wanted to write for the magazine and offered tips on how to submit one’s work (“use black ink, good pens, white paper”).Among the letters Higginson received in response was one scrawled in looping, difficult handwriting. Four poems were enclosed in a smaller envelope. He deciphered the scribble: “Are you too deeply occupied to say if my Verse is alive?”Higginson read the poems. The writing was unique, uncategorizable. It was clear to him that this was “a wholly new and original poetic genius,” and the memory of that moment stayed with him when he wrote about it thirty years later.Emily Dickinson’s question inaugurated one of the least likely correspondences in American letters—between a man who ran guns to Kansas, backed John Brown, and would soon command the first Union regiment of black soldiers, and the eremitic, elusive poet who cannily told him she did not cross her “Father’s ground to any House or town.”For the next quarter century, until her death in 1886, Dickinson sent Higginson dazzling poems, almost one hundred of them—many of them her best. Their metrical forms were unusual, their punctuation unpredictable, their images elliptical, innovative, unsentimental. Poetry torn up by the roots, Higginson later said, that “gives the sudden transitions.”Dickinson was a genius of the faux-naïf variety, reclusive to be sure but more savvy than one might imagine, more self-conscious and sly, and certainly aware of her outsize talent. “Dare you see a Soul at the ‘White Heat’?” she wondered. She dared, and he did.In this shimmering, revelatory work, Brenda Wineapple re-creates the extraordinary, delicate friendship that led to the publication of Dickinson’s poetry. And though she and Higginson met face-to-face only twice (he had never met anyone “who drained my nerve power so much,” he said), their friendship reveals much about Dickinson, throwing light onto both the darkened door of the poet’s imagination and a corner of the noisy century that she and Colonel Higginson shared.White Heat is about poetry, politics, and love; it is, as well, a story of seclusion and engagement, isolation and activism—and the way they were related—in the roiling America of the nineteenth century.

Product Description: Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, from childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, and virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century...read more

The author of acclaimed biographies of Janet Flanner and Gertrude and Leo Stein turns her attention to Nathaniel Hawthorne, examining the life and work of the complex literary giant.

The work of the abolitionist poet is featured here, including his passionate denunciation of the Fugitive Slave Law and his fascinating portraits of rural life that combine religion, politics, and rich narration. (view table of contents)

Product Description: The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genêt...read more