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Marc Wellmann has written 4 work(s)
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Product Description: This catalogue provides a first overview of the work of Turkish sculptor Yasam Sasmazer (born 1980), featuring her wooden sculptures from 2006–2011. These include slightly larger-than-life figures of children and young adults, as well as the shadow figures from her Dark Twin series...read more
Hardcover:
9783866788756 | Mul edition (Kerber Christof Verlag, March 31, 2014), cover price $49.95 | About this edition: This catalogue provides a first overview of the work of Turkish sculptor Yasam Sasmazer (born 1980), featuring her wooden sculptures from 2006–2011.
Product Description: Raising existential questions and exploring themes of fascination and repulsion, this generously illustrated volume provides an insightful look into a world where living creatures can be molded in virtually unrestricted ways through genetic manipulation and biotechnology...read more
Hardcover:
9783868321227 | Bilingual edition (Wienand Gmbh, Druck & Verlagshaus, September 1, 2013), cover price $39.95 | About this edition: Raising existential questions and exploring themes of fascination and repulsion, this generously illustrated volume provides an insightful look into a world where living creatures can be molded in virtually unrestricted ways through genetic manipulation and biotechnology.
Hardcover:
9783866781528 | Bilingual edition (Kerber Christof Verlag, March 1, 2009), cover price $35.00
Product Description: Wie sah das Sehen oder das Denken über das Sehen in der Vergangenheit hinsichtlich der inneren Widerstände des menschlichen Blicks aus und auf welche Weise hatte dieses Wissen Einfluss auf die Herstellung von Bildern bzw. auf die Theorie der Malerei? Die Untersuchung befasst sich anhand verschiedener historischer Momente mit der Beziehung der Malerei zu optischen Phänomenen, die den Blick trüben, verschleiern oder unscharf werden lassen...read more
Paperback:
9783631546123 | Peter Lang Pub Inc, June 30, 2005, cover price $57.95 | About this edition: Wie sah das Sehen oder das Denken über das Sehen in der Vergangenheit hinsichtlich der inneren Widerstände des menschlichen Blicks aus und auf welche Weise hatte dieses Wissen Einfluss auf die Herstellung von Bildern bzw.
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