American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left. Establishing new points of contact among Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, Wald argues that these writers were in dialogue with psychoanalysis, existentialism, and postwar modernism, often generating moods of piercing emotional acuity and cosmic dissent. He also recounts the contributions of lesser known cultural workers, with a unique accent on gays and lesbians, secular Jews, and people of color. The vexing ambiguities of an era Wald labels "late antifascism" serve to frame an impressive collective biography.

Mosby's "Dental Drug Reference" is an inexpensive end convenient book designed as a quick, concise drug reference. It is an excellent resource for rapid identification of drugs that patients may be taking as they present in the dental office. Drugs are listed alphabetically by generic name in a succinctly ordered and standardized thumb-tab format, with pertinent drug information for the dentist, dental hygienist, or dental assistant. Handy fact tables are located on the front inside covers and in the appendices, along with information about dose calculations.

With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar.Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers. (view table of contents)

Product Description: This collection brings together many of Alan M. Wald's most influential and original essays. They provide a richly provocative inquiry into the antinomies of cultural radicalism and are characterized by Wald's blend of meticulous research and lucid, incisive theory.

Product Description: Discussion of fiction, poetry and cultural history is given central place in Wald’s analysis. From this perspective he argues that the contemporary concerns of race, gender and culture have created a powerful new leftist critique...read more

Looks at the Trotskyism movement in the U.S., explains why many radicals fell out with Stalin, and discusses the impact on New York intellectuals of the postwar period

Looks at the Trotskyism movement in the U.S., explains why many radicals fell out with Stalin, and discusses the impact on New York intellectuals of the postwar period