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Angela Dalle Vacche has written 4 work(s)
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Cover for 9780691637549 Cover for 9780230272927 Cover for 9780415324434 Cover for 9780292715837
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Product Description: This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies...read more

Hardcover:

9780691637549 | Princeton Univ Pr, April 19, 2016, cover price $112.50 | About this edition: This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci.

cover image for 9780415324434
By Brian Price (editor) and Angela Dalle Vacche (editor)

Hardcover:

9780415324434 | 1 edition (Routledge, August 9, 2006), cover price $145.00

cover image for 9780292715837
Product Description: The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity...read more

Hardcover:

9780292715820 | Univ of Texas Pr, March 1, 1996, cover price $45.00 | About this edition: The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films.

Paperback:

9780292715837 | Univ of Texas Pr, March 1, 1996, cover price $30.00 | About this edition: The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films.

displaying 1 to 4 | at end