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Nancy J. Troy has written 8 work(s)
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Cover for 9780226008691 Cover for 9780300120295 Cover for 9780300107135 Cover for 9780262201407 Cover for 9780262701037 Cover for 9780262024228 Cover for 9780262523288 Cover for 9780300045543 Cover for 9780894670114
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Product Description: Dutch painter Piet Mondrian died in New York City in 1944, but his work and legacy have been far from static since then. From market pressures to personal relationships and scholarly agendas, posthumous factors have repeatedly transformed our understanding of his oeuvre...read more

Hardcover:

9780226008691 | Univ of Chicago Pr, February 17, 2014, cover price $45.00 | About this edition: Dutch painter Piet Mondrian died in New York City in 1944, but his work and legacy have been far from static since then.

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By Andrew Bolton, Mary E. Davis (contributor), Caroline Evans (contributor), Harold Koda and Nancy J. Troy (introduced by)

Hardcover:

9780300120295 | Metropolitan Museum of Art, May 29, 2007, cover price $65.00

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By Andrew Bolton, Rhonda K. Garelick (contributor), Harold Koda, Karl Lagerfeld (contributor), Caroline Rennolds Milbank (contributor), Kenneth E. Silver (contributor) and Nancy J. Troy (contributor)

Hardcover:

9780300107135 | Metropolitan Museum of Art, May 30, 2005, cover price $39.95

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Product Description: In Couture Culture, Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry, Paul Poiret, Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period...read more

Hardcover:

9780262201407 | Mit Pr, November 1, 2002, cover price $62.00

Paperback:

9780262701037 | Mit Pr, April 1, 2004, cover price $24.95 | About this edition: In Couture Culture, Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century.

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A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at that widely accepted but little scrutinized belief. In the first historically focused examination of the issue, the volume returns to the original site of cubist art in pre-World War I Europe and proceeds to examine the historical, theoretical, and socio-political relationships between avant-garde practices in painting, architecture, and other cultural forms, including poetry, landscape, and the decorative arts. The essays look at works produced in France, Germany, the Netherlands, and Czechoslovakia during the early decades of the twentieth century.Together, the essays show that although there were many points of intersection -- historical, metaphorical, theoretical, and ideological -- between cubism and architecture, there was no simple, direct link between them. Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage. Cubist space itself remained two-dimensional; with the exception of Le Cobusiers work, it was never translated into the three dimensions of architecture. Cubism's significance for architecture also remained two-dimensional -- a method of representing modern spatial experience through the ordering impulses of art.Copublished with the Canadian Centre for Architecture/CentreCanadien d'Architecture (view table of contents)
By Eve Blau (editor) and Nancy J. Troy (editor)

Hardcover:

9780262024228 | Mit Pr, November 14, 1997, cover price $80.00 | About this edition: A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture.

Paperback:

9780262523288 | Reprint edition (Mit Pr, March 7, 2002), cover price $32.00

Paperback:

9780262700306 | Reprint edition (Mit Pr, May 1, 1986), cover price $24.95

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Product Description: Catalogo di mostra, Yale University Art Gallery, New Haven, Connecticut 18 ottobre - 2 dicembre 1979. Prefazione di Alan Shestack. Testo di Nancy J. Troy. Illustrazioni in bianco e nero di opere di Ilya Bolotowsky, Burgoyne Diller, Fritz Glarner, Harry Ho

Paperback:

9780894670114 | Arthur Schwartz Sales Co, October 1, 1979, cover price $1.00 | About this edition: Catalogo di mostra, Yale University Art Gallery, New Haven, Connecticut 18 ottobre - 2 dicembre 1979.

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