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Temenuga Trifonova has written 4 work(s)
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Product Description: Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena...read more
Hardcover:
9789089646323 | Amsterdam Univ Pr, September 15, 2014, cover price $124.00 | About this edition: Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology.
Product Description: Rewrite, an intellectual mystery, follows Bruno Leblon, a history lecturer at a Paris university, during a six week long winter break as he tries to do research at the Public Library for his new book--a history of his family, one of the last aristocratic families in France...read more
Paperback:
9781926942742 | Litdistco, October 15, 2014, cover price $19.95 | About this edition: Rewrite, an intellectual mystery, follows Bruno Leblon, a history lecturer at a Paris university, during a six week long winter break as he tries to do research at the Public Library for his new book--a history of his family, one of the last aristocratic families in France.
Product Description: European Film Theory explores the âEuropeannessâ of European film theory, its philosophical origins, the âculture warsâ between âContinentalâ and âAnalyticalâ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory...read more
Hardcover:
9780415960434 | Routledge, November 1, 2008, cover price $140.00 | About this edition: European Film Theory explores the âEuropeannessâ of European film theory, its philosophical origins, the âculture warsâ between âContinentalâ and âAnalyticalâ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory.
Paperback:
9780415960441 | 1 edition (Routledge, November 1, 2008), cover price $39.95 | About this edition: European Film Theory explores the âEuropeannessâ of European film theory, its philosophical origins, the âculture warsâ between âContinentalâ and âAnalyticalâ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory.
Miscellaneous:
9780203893708 | Routledge, October 29, 2008, cover price $34.95
Product Description: 'The Image in French Philosophy' challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a 'revival' of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image...read more
Paperback:
9789042021594 | Rodopi Bv Editions, February 28, 2007, cover price $103.00 | About this edition: 'The Image in French Philosophy' challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a 'revival' of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image.
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