Product Description: The two books of 24 preludes and fugues in all major and minor keys have become the touchstone for keyboard players desirous of developing a sense of Baroque style. They were indeed conceived originally for a keyboard tuned with more or less equal intervals, but as always in Bach’s keyboard works, their probative value reaches far beyond the mere pressing down of keys in the proper order...read more

Product Description: The two books of 24 preludes and fugues in all major and minor keys have become the touchstone for keyboard players desirous of developing a sense of Baroque style. They were indeed conceived originally for a keyboard tuned with more or less equal intervals, but as always in Bach’s keyboard works, their probative value reaches far beyond the mere pressing down of keys in the proper order...read more

Product Description: The two books of 24 preludes and fugues in all major and minor keys have become the touchstone for keyboard players desirous of developing a sense of Baroque style. They were indeed conceived originally for a keyboard tuned with more or less equal intervals, but as always in Bach’s keyboard works, their probative value reaches far beyond the mere pressing down of keys in the proper order...read more

Product Description: The two books of 24 preludes and fugues in all major and minor keys have become the touchstone for keyboard players desirous of developing a sense of Baroque style. They were indeed conceived originally for a keyboard tuned with more or less equal intervals, but as always in Bach’s keyboard works, their probative value reaches far beyond the mere pressing down of keys in the proper order...read more

Product Description: VIOLIN PART. VOLUME 2 OF 4. Bach wrote in the preface to the Sinfonias that we should work above all to “achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition.” It’s this endeavor to achieve a singing style that gave me the idea to transcribe these little gems, part of the pianist’s catechism, for “singing” instruments—that and my desire to have more repertoire to play as a cellist in a string trio...read more