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David H. T. Scott has written 5 work(s)
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Product Description: This book offers a comprehensive description of how writers, in particular poets in nineteenth-century France, became increasingly aware of the visual element in writing from the point of view both of content and of the formal organisation of the words in the text...read more
Paperback:
9780521110594 | 1 edition (Cambridge Univ Pr, May 7, 2009), cover price $39.99 | About this edition: This book offers a comprehensive description of how writers, in particular poets in nineteenth-century France, became increasingly aware of the visual element in writing from the point of view both of content and of the formal organisation of the words in the text.
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Hardcover:
9780521838535 | Cambridge Univ Pr, October 4, 2004, cover price $99.99
Paperback:
9781854904201 | Academy Editions Ltd, September 1, 1995, cover price $40.00
Product Description: Although Paul Delvaux (born 1897) is an artist of international standing, his work is relatively little known in the Anglo-Saxon world. This book, the first on the artist written in English, places Delvaux's work in the tradition of European figurative painting, as well as in the more immediate context of twentieth-century Surrealism, exploring the relationship between them as they came together in the artist's works from the 1930s...read more
Paperback:
9780948462399 | Reaktion Books, January 1, 1993, cover price $22.50 | About this edition: Although Paul Delvaux (born 1897) is an artist of international standing, his work is relatively little known in the Anglo-Saxon world.
Product Description: This book offers a comprehensive description of how writers, in particular poets in nineteenth-century France, became increasingly aware of the visual element in writing from the point of view both of content and of the formal organisation of the words in the text...read more
Hardcover:
9780521341172 | Cambridge Univ Pr, December 1, 1987, cover price $69.95 | About this edition: This book offers a comprehensive description of how writers, in particular poets in nineteenth-century France, became increasingly aware of the visual element in writing from the point of view both of content and of the formal organisation of the words in the text.
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