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Katelijne Schiltz has written 3 work(s)
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Cover for 9782503567778 Cover for 9781107082298 Cover for 9789042916814
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Product Description: In 1586 the poet Jean Megnier described Cipriano de Rore as 'inventif, ' a composer who searched out 'nouveaux accords.' The essays in this volume flesh out various ways in which Megnier's characterization rings true. One group of essays deals with de Rore's biography and strategies of patronage from his early years in Italy to the end of his life...read more
By Katelijne Schiltz (editor)

Paperback:

9782503567778 | Bilingual edition (Brepols Pub, August 31, 2016), cover price $130.00 | About this edition: In 1586 the poet Jean Megnier described Cipriano de Rore as 'inventif, ' a composer who searched out 'nouveaux accords.

cover image for 9781107082298
Product Description: Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period...read more

Hardcover:

9781107082298 | Cambridge Univ Pr, June 30, 2015, cover price $135.00 | About this edition: Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions.

cover image for 9789042916814
Product Description: Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies...read more
By Bonnie J. Blackburn (editor) and Katelijne Schiltz (editor)

Hardcover:

9789042916814 | Peeters Bvba, December 31, 2007, cover price $106.00 | About this edition: Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature.

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