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Cecilia Sayad has written 2 work(s)
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Cover for 9780813570730 Cover for 9780813570723 Cover for 9781780760056 Cover for 9781780760063
cover image for 9780813570723
Product Description: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century...read more
By Mattias Frey (editor) and Cecilia Sayad (editor)

Hardcover:

9780813570730 | Rutgers Univ Pr, April 20, 2015, cover price $90.00

Paperback:

9780813570723 | Rutgers Univ Pr, April 20, 2015, cover price $31.95 | About this edition: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.

cover image for 9781780760063
Product Description: The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it...read more

Hardcover:

9781780760056 | Tauris Academic Studies, November 26, 2013, cover price $95.00 | About this edition: The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls.

Paperback:

9781780760063 | Tauris Academic Studies, November 26, 2013, cover price $28.00 | About this edition: The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls.

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