Common wisdom has it that when Auden left England for New York in January 1939, he had already written his best poems. He left behind (most critics believe) all the idealisms of the 1930s and all serious concerns to become an unserious poet, a writer of ingenious, agreeable, minor lyrics. Lucy McDiarmid argues that such readers, spoiled by the simple intensities of apocalypse, distort and misjudge Auden's greatest work. She shows that once Auden was freed from the obligation to criticize and reform the society of his native country, he devoted his imaginative energies to commentary on art. And about art he was never complaisant: with greater passion than he had ever used to undermine "bourgeois" society, Auden undermined literature. Every major poem and every essay became a retractio, a statement of art's frivolity, vanity, and guilt. Auden's Apologies for Poetry, then, sets forth the unorthodox notion that the chief subject of later, "New Yorker" Auden is the insignificance of poetry. Commenting on all the major poems and essays from the 1930s through the 1960s, and analyzing manuscript revisions and unpublished works, it charts the changes in Auden's poetics in the light of his shift from an oral to a written model of poetry. In his earliest work Auden voices the tentative hope that poems can be like loving spoken words, transforming and redeeming, themselves carriers of value. After 1939 he takes for granted a written model. His later essays and poems deny art spiritual value, claiming that "love, or truth in any serious sense" is a "reticence," the unarticulated worth that exists--if at all--outside the words on the page. Later Auden creates a poetics of apology and self-deprecation, a radical undermining of poetry itself.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Product Description: On the morning of April 24, 1916, Catherine Byrne jumped through a window on the side of the General Post Office on O'Connell Street to join the Irish revolution. Meanwhile, Mairead Ni Cheallaigh served breakfast to Patrick and Willie Pearse - their last home-cooked meal - and then went out to set up an emergency hospital with members of Cumann na mBan...read more

Product Description: On January 18, 1914, seven male poets gathered to eat a peacock. W. B. Yeats and Ezra Pound, the celebrities of the group, led four lesser-known poets to the Sussex manor house of the man they were honouring, Wilfrid Scawen Blunt: the poet, horse-breeder, Arabist, and anti-imperialist married to Byron's only granddaughter...read more

Product Description: This text contains selections of Lady Gregory's writings on autobiography, Irish folklore and translations, Irish saga and romance, Irish culture, and her own plays, poems and journals. The book includes pieces from "Seers and Healers", "West Irish Ballads", "The Kiltarten Poetry Book", "Laughter in Ireland", "Kathleen ni Houlihan" and also extracts from her journals "Volume 1" (1916-1925) and "Volume 2" (1925-1932)...read more (view table of contents, read Amazon.com's description)

Product Description: 'Saving civilization' was the grandiloquent cry of the 1920s and 1930s, This is a study of the various answers these three great modern British poets - Yeats, Eliot and Auden - gave to the question of how a 'mere writer' could affect the world of his audience...read more