Rethinking religion and literature in a series of chapters by leading international scholars, Reading the Abrahamic Faiths opens up a dialogue between Jewish, Christian, Islamic and Post-Secular literary cultures.Literary studies has absorbed religion as another interdisciplinary mode of inquiry without always attending to its multifacted potential to question ideologically neutral readings of culture, belief, emotion, politics and inequality. In response, Reading the Abrahamic Faiths contributes to a reevaluation of the nexus between religion and literature that is socially, affectively and materially determined in its sensitivity to the expression of belief.Each section – Judaism, Christianity, Islam and Post-Secularism – is introduced by a specialist in these respective areas to introduce the critical readings of the texts and discourses that follow.

This engaging volume provides readers with the essential criticism on nineteenth-century poetry, organised around key areas of debate in the field. The critical texts included in this volume reflect both a traditional and modern emphasis on the study of poetry in the long nineteenth century. These are then tied up by a newly written essay summarising the ideas and encouraging further study and debate. The book includes: sections on Periodization; ‘What is Poetry?’; Politics; Prosody; Forms; Emotion, feeling, affect; Religion; Sexuality; and Science work by writers such as William Wordsworth, S. T. Coleridge, Percy Shelley, Christina Rossetti, Matthew Arnold and Gerard Manley Hopkins critics and historians including Isobel Armstrong, Richard Cronin, Jason Rudy, Joseph Bristow and Gillian Beer Detailed introductions and critical commentary by Francis O’Gorman, Rosie Miles, Stefano Evangelisto, Natalie Hoffman, Martin Dubois, Gregory Tate Providing both the essential criticism along with clear introductions and analysis, this book is the perfect guide to students who wish to engage in the exciting criticism and debates of nineteenth-century poetry.

Outlines the lives and works of three popular and influential women poets of the nineteenth century: Felicia Hemans, Dora Greenwell and Adelaide Anne Procter. This book seeks to situate the poets in their historical and aesthetic moment, examining their diverse interest in figures such as Schiller, Coleridge, Germaine de Stael and Dickens.