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Gertrud Koch has written 3 work(s)
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Cover for 9783775732789 Cover for 9783775719063 Cover for 9780691049922
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Product Description: In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city's architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper...read more

Hardcover:

9783775732789 | Bilingual edition (Hatje Cantz Pub, October 31, 2012), cover price $55.00 | About this edition: In 1991, German-born photographer Vera Lutter (born 1960) moved to New York.

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Product Description: The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany. Reality Bites investigates the effect of that historical context, identifying the new kinds of work that have grown out of it, full of strategies and materials borrowed from and referring back to one kind of recent German reality or another, aesthetic exploration of experience in which the themes of reality and history take on increased meaning...read more

Paperback:

9783775719063 | Bilingual edition (Hatje Cantz Pub, May 1, 2007), cover price $55.00 | About this edition: The Berlin Wall fell almost 20 years ago, and since then a generation of artists has come of age in reunified Germany.

cover image for 9780691049922
Product Description: Siegfried Kracauer has been misunderstood as a naïve realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky. But he is most widely thought of as the odd uncle of famed Frankfurt School critical theorists Jürgen Habermas, Theodor Adorno, Walter Benjamin, and Max Horkheimer...read more (view table of contents, read Amazon.com's description)

Paperback:

9780691049922 | Princeton Univ Pr, March 27, 2000, cover price $38.95 | About this edition: Siegfried Kracauer has been misunderstood as a naïve realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky.

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