search for books and compare prices
Amelia Jones has written 18 work(s)
Search for other authors with the same name
displaying 1 to 18 | at end
show results in order: alphabetically | oldest to newest | newest to oldest
Cover for 9780262526579 Cover for 9780847841790 Cover for 9780415543828 Cover for 9780415543835 Cover for 9782551251414 Cover for 9780415267052 Cover for 9780415543699 Cover for 9780415267069 Cover for 9780415543705 Cover for 9781405107945 Cover for 9781405135429 Cover for 9788889431795 Cover for 9780415345217 Cover for 9780415345224 Cover for 9780262101028 Cover for 9780262600668 Cover for 9780911291315 Cover for 9780415190596 Cover for 9780415190602 Cover for 9780816627721 Cover for 9780816627738 Cover for 9780500279878 Cover for 9780520205659 Cover for 9780943739205 Cover for 9780520205666 Cover for 9780943739199 Cover for 9780521433419 Cover for 9780521456548 Cover for 9780932173096
cover image for 9780262526579
By Amelia Jones (editor)

Paperback:

9780262526579 | Mit Pr, August 15, 2014, cover price $24.95

cover image for 9780847841790
By Johanna Burton (contributor), Thomas Crow (contributor), Matthew Day Jackson (contributor), Amelia Jones (contributor) and Lisa Phillips (editor)

Hardcover:

9780847841790 | Skira, October 22, 2013, cover price $75.00

cover image for 9780415543828

Hardcover:

9780415543828 | Routledge, May 3, 2012, cover price $135.00

Paperback:

9780415543835 | Routledge, May 2, 2012, cover price $48.95

cover image for 9782551251414
By Amelia Jones (collaborator)

Paperback:

9782551251414 | ABC Art Books Canada Distribution, January 3, 2012, cover price $34.95

Paperback:

9781449572228 | Createspace Independent Pub, October 22, 2009, cover price $20.00

cover image for 9780415543699
Product Description: Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective...read more
By Amelia Jones (editor)

Hardcover:

9780415543699 | 2 edition (Routledge, March 1, 2010), cover price $140.00 | About this edition: Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years.
9780415267052 | Routledge, December 1, 2002, cover price $125.00

Paperback:

9780415543705 | 2 edition (Routledge, March 1, 2010), cover price $57.95
9780415267069 | Routledge, December 1, 2002, cover price $49.95

By Amelia Jones (editor)

Hardcover:

9781405107945 | Blackwell Pub, April 10, 2006, cover price $165.95

Paperback:

9781405135429, titled "Companion to Contemporary Art Since 1945" | Blackwell Pub, April 10, 2006, cover price $68.95

Miscellaneous:

9781405152358 | Blackwell Pub, February 24, 2009, cover price $131.95

cover image for 9780262600668
In Irrational Modernism, Amelia Jones gives us a history of New York Dada, reinterpreted in relation to the life and works of Baroness Elsa von Freytag-Loringhoven. Jones enlarges our conception of New York Dada beyond the male avant-garde heroics of Marcel Duchamp, Man Ray, and Francis Picabia to include the rebellious body of the Baroness. If they practiced Dada, she lived it, with her unorthodox personal life, wild assemblage objects, radical poetry and prose, and the flamboyant self-displays by which she became her own work of art. Through this reinterpretation, Jones not only provides a revisionist history of an art movement but also suggests a new method of art history.Jones argues that the accepted idea of New York Dada as epitomized by Duchamp's readymades and their implicit cultural critique does not take into consideration the contradictions within the movement -- its misogyny, for example -- or the social turmoil of the period caused by industrialization, urbanization, and the upheaval of World War I and its aftermath, which coincided with the Baroness's time in New York (1913-1923). Baroness Elsa, whose appearances in Jones's narrative of New York Dada mirror her volcanic intrusions into the artistic circles of the time, can be seen to embody a new way to understand the history of avant-gardism -- one that embraces the irrational and marginal rather than promoting the canonical.Acknowledging her identification with the Baroness (as a "fellow neurasthenic"), and interrupting her own objective passages of art historical argument with what she describes in her introduction as "bursts of irrationality," Jones explores the interestedness of all art history, and proposes a new "immersive" understanding of history (reflecting the historian's own history) that parallels the irrational immersive trajectory of avant- gardism as practiced by Baroness Elsa.

Hardcover:

9780262101028 | Mit Pr, April 1, 2004, cover price $39.95 | About this edition: In Irrational Modernism, Amelia Jones gives us a history of New York Dada, reinterpreted in relation to the life and works of Baroness Elsa von Freytag-Loringhoven.

Paperback:

9780262600668 | Mit Pr, October 1, 2005, cover price $22.95

By Amelia Jones (editor) and Andrew Stephenson (editor)

Hardcover:

9780415190596 | Routledge, July 1, 1999, cover price $165.00

Paperback:

9780415190602 | Routledge, July 1, 1999, cover price $52.95

Hardcover:

9780816627721 | Univ of Minnesota Pr, March 1, 1998, cover price $62.95

Paperback:

9780816627738 | Univ of Minnesota Pr, March 1, 1998, cover price $27.95

cover image for 9780520205666
Within the politically charged debates of the feminist art movement, Judy Chicago's Dinner Party has been a focal point of controversy. A monumental table in the form of an equilateral triangle, The Dinner Party honors 1,038 women in Western history, 39 if whom are represented at the table itself by elaborate needlework runners and ceramic plates with centralized, often vulvar, motifs. When the piece was first shown, at the San Francisco Museum of Modern Art in 1979, it drew the largest audience in that museum's history. Although it was praised by many feminists, it also engendered vehemently negative responses, from mainstream art critics and feminist commentators alike.The essays in this volume, which is published in conjunction with an exhibition organized by UCLA at the Armand Hammer Museum of Art and Cultural Center, provide a major reevaluation of The Dinner Party and the debates that it has prompted, placing it within the broader context of art history and theory. Presenting works dating from the early 1960s to the present by other feminist artists, the book explores important issues raised in feminist art history and practice over the last thirty-five years. The works included make clear that The Dinner Party was produced within, and takes its meanings from, a historical matrix in which explorations of female sexuality, ideals of beauty, domesticity, violence against women, the questioning of male authority, the diversity of female experience, and other concerns have served as means of addressing issues of identity, oppression, and personal and social power.Through its examination of the reception of The Dinner Party, both in the United States and abroad, Sexual Politics also traces the development of feminist art theory.

Hardcover:

9780520205659 | Univ of California Pr, June 1, 1996, cover price $85.00 | About this edition: Within the politically charged debates of the feminist art movement, Judy Chicago's Dinner Party has been a focal point of controversy.
9780943739205 | Wight Art Gallery, April 1, 1996, cover price $25.01

Paperback:

9780520205666 | Univ of California Pr, June 1, 1996, cover price $29.95
9780943739199 | Wight Art Gallery, April 1, 1996, cover price $25.01

cover image for 9780521456548
Product Description: A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his 'readymades', (the standard terms used to describe Duchamp's works) has paradoxically served in a paternal role for post-1960s American artists, critics and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of Abstract Expressionism and Greenbergian modernism...read more (view table of contents, read Amazon.com's description)

Hardcover:

9780521433419 | Cambridge Univ Pr, January 1, 1994, cover price $55.00

Paperback:

9780521456548 | Cambridge Univ Pr, July 1, 1995, cover price $79.99 | About this edition: A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art.

cover image for 9780932173096
Product Description: art book

Paperback:

9780932173096 | Sweeny Art Gallery, December 1, 1992, cover price $7.50 | About this edition: art book

displaying 1 to 18 | at end