Product Description: In the face of multiple, cascading crises in the economic, ecological, political, and cultural arenas, it is more important than ever to confront the reality of the threats we face. Based on a calm apocalypticism and a common-sense approach to intellectual life, We Are All Apocalyptic Now offers a framework for understanding our moment in history and the obligations of those who are trying to communicate that understanding to a wider world...read more

Product Description: At the root of the current political, economic, cultural, and ecological chaos is a national spiritual unrest, a fragmentation that has inhibited society's self-awareness and slowed theological progress to a glacial crawl.In a nation where three-fourths of the population identifies as Christian and religion salts the political discourse, unrest has manifested itself as the talking-head debate between atheists and believers...read more

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Product Description: When you're on the front line of administration, you're in the direct line of questions, situations, and challenges that arise daily. As a community college administrator, you're required to tackle the firestorms that flare up, which may include addressing no-win decisions and effectively dealing with unjustified, as well as justified, criticism...read more

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In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.

Product Description: In a society that prides itself on the most expansive legal guarantees of free speech in history, why are so many individuals and groups frustrated by the American system of freedom of expression? As the public sphere continues to be redefined by advances in technology, and new debates about this technology crop up daily, the time has come to move from reflexive discussions about the value of more speech to a detailed assessment of the real power and limits of speech...read more

Portrays the work of contemporary architects, interior designers, craftspeople, and artists