Product Description: As Linda Hutcheon writes in her afterword, this volume featuring contributions from scholars, teachers, and artists working in Canada, the United States, and Germany demonstrates "the manifest popularity" and "the 'ubiquity' of adaptation as a contemporary cultural phenomenon - albeit one with roots going deep into the past...read more

This celebration of opera as a living art that visualizes music explores the 'operatic body'--the actual physical bodies of the singers and audience members, as well as the represented body on stage in operas such as Death in Venice and Electra. (view table of contents)

Product Description: This study has a double focus: in the first place, it seeks to chart the parallel re-evaluation of both formalism and psychology in twentieth-century literary theory by using the work and career of the French literary critic, Charles Mauron (1899-1966) as a scaffolding...read more

Product Description: Northrop Frye embellishes the theory of genre in "Henry James and the Comedy of the Occult." In "The Power of Postmodern Irony," Linda Hutcheon furthers her reputation as a theorist of contemporary culture, and Shirley Neuman investigates gender in writing and reading in "Autobiography, Mothers' Bodies, the Reproduction of Mothering...read more

Product Description: These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study of about 55 pages. Each contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author's key works, and a detailed bibliography of primary and secondary works...read more

Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.

Product Description: Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory...read more

"Opera is a fascinating interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th and 20th century operatic texts...This is an extraordinary examination of how opera uses the singing body-gendered and sexual-to give voice to the suffering person. Highly recommended." - "Library Journal." "The authors' argument is rich and complex; it draws on source, text and music; it is also medically sound. Opera is quintessentially an art of love and desire, of loss and suffering, of disease and death. Hutcheon and Hutcheon enrich our understanding of both content and context." - Opera News. "Linda and Michael Hutcheon have done a fine job of pulling together medical and literary sources to make sense of the changing depiction of disease in opera...For opera lovers and for anyone interested in seeing good, synthetic reasoning at work, this is a fine study." - Publishers Weekly. Linda Hutcheon is a professor of English and comparative literature at the University of Toronto. She is the author of, most recently, "Irony's Edge: The Theory and Politics of Irony". Michael Hutcheon, M.D., is a professor of medicine at the University of Toronto. His many articles have appeared in "American Review of Respiratory Disease" and other journals." (view table of contents)

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

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Product Description: The first detailed examination of postmodernism in the Canadian visual arts, this study focuses on memory as an essential and recurring issue in the work of some forty Canadian artists, individual and collective. In her afterword, Hutcheon presents a broad overview situating Cheetham's detailed discussions within the ongoing debates about postmodernism in Canada and internationally...read more

Product Description: A collection of six essays by major scholars, this book reconsiders various aspects of literary history, focusing on key questions in contemporary literary theory such as the idea of nations and nationalism, racial memory, and colonialism and postcolonialism...read more (view table of contents, read Amazon.com's description)

Product Description: Starting from the premise that Canadian culture offers "particularly fertile ground for the cultivation of doubleness," this book explores the numerous forms of irony observable in Canadian literature and visual arts. Individual chapters focus on the ironies of ethnicity and race, irony as a strategy for addressing Canada's colonial past, feminists' uses of irony, and a specific case of photography and the amplification of ironies in the work of artistic collectives such as Fastwurns and General Idea...read more

Renowned literary scholar Linda Hutcheon explores the ubiquity of adaptations in all their various media incarnations and challenges their constant critical denigration. Adaptation, Hutcheon argues, has always been a central mode of the story-telling imagination and deserves to be studied in all its breadth and range as both a process (of creation and reception) and a product unto its own. Persuasive and illuminating, A Theory of Adaptation is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park.

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