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George L. Hersey has written 10 work(s)
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Cover for 9780226327792 Cover for 9780226327846 Cover for 9780262082747 Cover for 9780262582032 Cover for 9780262082440 Cover for 9780893816124 Cover for 9780226327815 Cover for 9780226327822 Cover for 9780262082105 Cover for 9780262581103 Cover for 9780262081214
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Product Description: The age of the Baroque—a time when great strides were made in science and mathematics—witnessed the construction of some of the world's most magnificent buildings. What did the work of great architects such as Bernini, Blondel, Guarini, and Wren have to do with Descartes, Galileo, Kepler, Desargues, and Newton? Here, George Hersey explores the ways in which Baroque architecture, with its dramatic shapes and playful experimentation with classical forms, reflects the scientific thinking of the time...read more (view table of contents, read Amazon.com's description)

Hardcover:

9780226327839 | Univ of Chicago Pr, March 1, 2001, cover price $67.00

Paperback:

9780226327846 | Univ of Chicago Pr, December 1, 2002, cover price $43.00 | About this edition: The age of the Baroque—a time when great strides were made in science and mathematics—witnessed the construction of some of the world's most magnificent buildings.

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We humans owe an immense architectural debt to many other species. Indeed, the first hexagons humans saw may have been in honeycombs, the first skyscrapers termitaries (termite high-rises), and the first tents those of African weaver ants. In The Monumental Impulse, art historian George Hersey investigates many ties between the biological sciences and the building arts. Natural building materials such as wood and limestone, for example, originate in biological processes. Much architectural ornament borrows from botany and zoology. Hersey draws striking analogies between building types and animal species. He examines the relationship between physical structures and living organisms, from bridges to mosques, from molecules to mammals. Insects, mollusks, and birds are given separate chapters, and three final chapters focus on architectural form and biological reproduction. Hersey also discusses architecture in connection with the body's interior processes and shows how buildings may be said to reproduce, adapt, and evolve, like other inanimate or "nonbiotic" entities such as computer programs and robots. The book is both learned and entertaining, and is abundantly illustrated with fascinating visual comparisons. (view table of contents)

Hardcover:

9780262082747 | Mit Pr, June 1, 1999, cover price $15.75 | About this edition: We humans owe an immense architectural debt to many other species.

Paperback:

9780262582032 | Reprint edition (Mit Pr, February 19, 2001), cover price $6.75

The beauty of the human body has found a daring beholder in art historian George Hersey, who for the first time brings modern Darwinian theories of sexual selection (mate competition, attractor manipulation, and the like) into the history of art. The Evolution of Allure shows how Western art has channeled mate choice, exploiting the cosmetics, clothes, muscles, organs, and ornaments that showcase the body. From the Medici Venus to Vitruvius, Leonardo, Durer, and the phone-sex goddesses of D-Cup Superstars, Hersey¹s lively, erotically charged text shows that the formulas set forth by the Greek sculptor Polykleitos have established a Western canon of human gestures and proportions and may have influenced human evolution. Victorian teachings wrapped this Polykleitan vision in Aryan racial theories and in aspects of early modern physical anthropology. Chapters on Francis Galton, Cesare Lombroso, Max Nordau, W. H. Sheldon and his infamous "posture pictures," and the Nazi theorist Paul Schultze-Naumburg deal with the biological decline that "degenerate" artists like Rembrandt, Rodin, and Whistler would supposedly help bring about. Hersey concludes with an excursus on the current hyperdevelopment, in both sexes, of breasts and muscles, as exemplified in the likes of body builders, Batman, and the Incredible Hulk.

Hardcover:

9780262082440 | Mit Pr, April 1, 1996, cover price $45.00 | About this edition: The beauty of the human body has found a daring beholder in art historian George Hersey, who for the first time brings modern Darwinian theories of sexual selection (mate competition, attractor manipulation, and the like) into the history of art.

Paperback:

9780262581646 | Reprint edition (Mit Pr, April 1, 1998), cover price $18.95

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Photographs capture the essence of the Mediterranean region and its ancient cultures

Hardcover:

9780893816124 | 1 edition (Aperture, December 1, 1995), cover price $50.00 | About this edition: Photographs capture the essence of the Mediterranean region and its ancient cultures

Hardcover:

9780226327815 | Univ of Chicago Pr, May 1, 1993, cover price $72.00

Paperback:

9780226327822 | Univ of Chicago Pr, July 1, 1993, cover price $32.00

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Product Description: The villas of Andrea Palladio have been among the most influential buildings in history. Drawing on the architect's original published legacy of forty-odd designs, George Hersey and Richard Freedman reveal the rigorous geometric rules by which Palladio conceived these structures...read more

Hardcover:

9780262082105 | Mit Pr, August 12, 1992, cover price $60.00 | About this edition: The villas of Andrea Palladio have been among the most influential buildings in history.

Product Description: Runs under MacOS 7.x only.

Hardcover:

9780262581141 | Mit Pr, April 1, 1992, cover price $18.95 | About this edition: Runs under MacOS 7.

cover image for 9780262081214
Product Description: The great palace of Caserta, near Naples, probably the largest building erected in Europe in the eighteenth century, became an archetypal expression of absolute monarchy. It was begun in 1752 for Carlo di Borbone, King of the Two Sicilies, who worked closely with its chief architect, Luigi Vanvitelli...read more

Hardcover:

9780262081214 | Mit Pr, May 1, 1983, cover price $58.00 | About this edition: The great palace of Caserta, near Naples, probably the largest building erected in Europe in the eighteenth century, became an archetypal expression of absolute monarchy.

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