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Naomi Greene has written 5 work(s)
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Cover for 9780824838355 Cover for 9780824838362 Cover for 9781905674121 Cover for 9780691004754 Cover for 9780691031484 Cover for 9780691000343
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Product Description: Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination...read more

Hardcover:

9780824838355 | Univ of Hawaii Pr, March 31, 2014, cover price $65.00 | About this edition: Throughout the twentieth century, American filmmakers have embraced cinematic representations of China.

Paperback:

9780824838362 | Univ of Hawaii Pr, March 31, 2014, cover price $25.00 | About this edition: Throughout the twentieth century, American filmmakers have embraced cinematic representations of China.

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Paperback:

9781905674121 | Wallflower Pr, November 15, 2007, cover price $20.00

In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself. (view table of contents)

Hardcover:

9780691029597 | Princeton Univ Pr, May 1, 1999, cover price $75.00

Paperback:

9780691004754 | Princeton Univ Pr, March 29, 1999, cover price $43.95 | About this edition: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s.

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Product Description: The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time...read more

Hardcover:

9780691031484 | Princeton Univ Pr, July 1, 1990, cover price $45.00

Paperback:

9780691000343 | Reprint edition (Princeton Univ Pr, February 1, 1992), cover price $18.95 | About this edition: The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator.

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