Five hundred years ago the legendary Renaissance genius, Michelangelo (1475-1564), put the first brushstroke to his most ambitious creation. As he started work on his vast fresco cycle for the ceiling of the Sistine Chapel, in the autumn of 1508, he began putting into pictures the awe-inspiring legends recounted in the Book of Genesis. But for the viewer looking up into Michelangelo's painted sky, with its visions of an elemental universe, this was to be just the first of a series of unprecedentedly original images. These depictions of swooping, gesticulating, flying, muscular figures reach their climax in The Creation of Adam - a depiction of the very origins of Man that has been rightly celebrated, for centuries, as the quintessential masterpiece of the Renaissance. Yet the painting of the Sistine Chapel, for all its magnificence, came at a considerable human cost. It would take Michelangelo four years of long and bitter toil to complete his masterpiece, goaded all the while by his volatile, impatient patron, Julius II - known as the "Warrior Pope", in allusion both to his military conquests and aggressive temperament. The two men came to blows on more than one occasion, the artist harbouring a lifelong grudge over the abuse of what his friend and biographer Giorgio Vasari called his "divine genius", not to mention the damage the labours caused to his eyes, neck and back. In his new study of Michelangelo's work in the Sistine Chapel, Andrew Graham-Dixon tells the fascinating human story behind its creation. He analyses its many layers of meaning and teases out the multitude of ambiguities that lurk within its imagery of timeless magnificence. This is a retelling of the story of the Sistine Chapel for modern times, and an essential companion guide for one of the artistic wonders of the world.

Product Description: Andrew Graham-Dixon's original and thought-provoking A History of British Art is the first book to draw together different strands of British art, from the Middle Ages to the present day. It takes the reader on a thrilling journey through the British visual imagination and also through the religious, social and political history of Britain itself...read more

A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.

Product Description: "Delicious. Luscious. Scrumptious....that rare but sublime match of author and subject, paintings and text."—The New York Times Book Review This book of Howard Hodgkin's work by Andrew Graham-Dixon, one of Britain's foremost art critics, was published to great acclaim in 1994...read more (view table of contents, read Amazon.com's description)

A British art critic offers a selection of quirky, insightful essays on art and artists, including such masters as Holbein, Velazquez, Rembrandt, Cezanne, van Gogh, Matisse, de Kooning, and Warhol and their diverse works. 10,000 first printing. (view table of contents)