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Thembinkosi Goniwe has written 3 work(s)
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Product Description: Visual Century: South African Art is a four-volume publication that reappraises South African visual art of the 20th century from a postapartheid perspective. It is the only publication that provides an overview of a century of South African art, with in-depth discussion by leading art historians and reproduction of a large number of artworks, providing readers with fresh perspectives on complexities that still resonate today...read more
Paperback:
9781868145270 | Witwatersrand Univ Pr, May 1, 2015, cover price $44.95 | About this edition: Visual Century: South African Art is a four-volume publication that reappraises South African visual art of the 20th century from a postapartheid perspective.
Product Description: This is a catalogue of artworks and essays that formed the exhibition Space: Currencies in Contemporary African Art. Curated by Thembinkosi Goniwe and Melissa Mboweni, the exhibition was held at museum Africa in Newton, Johannesburg from 11th May to 11th July 2010...read more
Hardcover:
9781592217809, titled "Space Currencies in Contemporary African Art" | Gardners Books, February 14, 2013, cover price $72.35 | About this edition: This is a catalogue of artworks and essays that formed the exhibition Space: Currencies in Contemporary African Art.
9781868886807 | Unisa Pr, August 1, 2012, cover price $46.00
Product Description: Given the need to construct a national archive, this work is a stellar example of what local productions (researching, writing, publishing) can mean as we tell our own stories, especially against the broader movement for a more inclusive, international art history that recognises and celebrates the contributions made in South Africa...read more
Paperback:
9781868145478 | Slp edition (Witwatersrand Univ Pr, December 31, 2011), cover price $190.00 | About this edition: Given the need to construct a national archive, this work is a stellar example of what local productions (researching, writing, publishing) can mean as we tell our own stories, especially against the broader movement for a more inclusive, international art history that recognises and celebrates the contributions made in South Africa.
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